Discussing the relationship of Max Dvořák and Johannes Wilde on the previous study (János (Johannes) Wilde and Max Dvorák or, can we speak about the Budapest School of art history), I proposed – indirectly – the provocative thesis that “there is no Dvořák without Wilde”. What justifies this polarized statement is the set of documents of source value found a few years ago in Wilde’s estate in archives of Budapest and London. Johannes Wilde cherished a profound relationship with his siblings, Ferenc and Margit, who did not have families of their own but lived with their mother Munisi until her death. They are the addressees of the letters of invaluable importance which Wilde wrote from Vienna and later from various stations of his forced ex...
This study is intended to reflect an exploration of the relationship between social forces and the n...
The essay investigates the way Strzygowski, Dvořák and Tietze interpreted contemporary architecture,...
The present thesis is a critical introduction to a body of writings on heritage conservation by the ...
Johannes Wilde, noted Michelangelo researcher and deputy director of the Courtauld Institute in Lond...
This article investigates a research method of the so-called Vienna School of Art History, mainly it...
In 1903, the Czech University in Prague proceeded to fill the vacant chair in Art History. The Philo...
The article deals with the influence of Berlin philosopher Georg Simmel on Viennese art historian Ma...
This paper was originally published on the ninetieth anniversary of Max Dvořák’s death, in ARS – Jou...
As was often the case with Vienna School art historians, Max Dvořák (1874-1921) contributed a signif...
The year of 2021 was remembered as the centenary of the death of Max Dvořák, one of the leading figu...
The intellectual development of Max Dvořák (1874-1921), one of the protagonists of the ‘Vienna Schoo...
France Stele, Vojeslav Mole and Izidor Cankar, who are considered the founders of Slovenian art hist...
Although the formation of the Czechoslovak Republic in 1918 could be regarded in certain respects as...
While much is known about Fin de Siècle Vienna, there has been little study of how it is understood ...
John White and John Shearman were two of Johannes Wilde’s most brilliant students at the Courtauld. ...
This study is intended to reflect an exploration of the relationship between social forces and the n...
The essay investigates the way Strzygowski, Dvořák and Tietze interpreted contemporary architecture,...
The present thesis is a critical introduction to a body of writings on heritage conservation by the ...
Johannes Wilde, noted Michelangelo researcher and deputy director of the Courtauld Institute in Lond...
This article investigates a research method of the so-called Vienna School of Art History, mainly it...
In 1903, the Czech University in Prague proceeded to fill the vacant chair in Art History. The Philo...
The article deals with the influence of Berlin philosopher Georg Simmel on Viennese art historian Ma...
This paper was originally published on the ninetieth anniversary of Max Dvořák’s death, in ARS – Jou...
As was often the case with Vienna School art historians, Max Dvořák (1874-1921) contributed a signif...
The year of 2021 was remembered as the centenary of the death of Max Dvořák, one of the leading figu...
The intellectual development of Max Dvořák (1874-1921), one of the protagonists of the ‘Vienna Schoo...
France Stele, Vojeslav Mole and Izidor Cankar, who are considered the founders of Slovenian art hist...
Although the formation of the Czechoslovak Republic in 1918 could be regarded in certain respects as...
While much is known about Fin de Siècle Vienna, there has been little study of how it is understood ...
John White and John Shearman were two of Johannes Wilde’s most brilliant students at the Courtauld. ...
This study is intended to reflect an exploration of the relationship between social forces and the n...
The essay investigates the way Strzygowski, Dvořák and Tietze interpreted contemporary architecture,...
The present thesis is a critical introduction to a body of writings on heritage conservation by the ...