DOIAbstract
Defined as “sequential art”, comics are a genre in which narration and spatiality are closely linked. This explains the frequency of maps accompanying narratives. This article examines the affinity between the sequential narrative and the cartographic production through the analysis of two corpuses of Western comics. Both similar graphically to the comic book and clearly differentiated as a two dimensional representation, the map is either evacuated in the paratext or hybridized by sequential language
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