Add to ORKGIn this commentary on Hofmann et al. (2021), the notion of ethnomusicology and some of its underlying biases are questioned and reflected in the light of applying FAIR data principles to musicological research data from outside a Western canon and its musical practices
In this review, I discuss a book that was recently published by members of the Study Group on Histor...
Open Access (OA) publishing and FAIR Principles both present opportunities to make music and music s...
It is surprising how easy it is to relate Zeitlin’s discussions about a highly valued, finely made m...
In this commentary on Hofmann et al. (2021), the notion of ethnomusicology and some of its underlyin...
Recordings of musical practices are kept in various public institutions and private depositories aro...
Musical worlds, not unlike our lived realities, are fundamentally fragmented and diverse, a fact oft...
Music researchers work with increasingly large and complex data sets. There are few established data...
In this article, we argue that ethnomusicology holds valuable epistemic insights for considering how...
This paper considers debates that have taken place in ethnomusicology as a result of engagement with...
Western academic literature exploring global music frequently perpetuates stereotypes about nonWeste...
Technology and music have a centuries old history of coexistence: from luthiers to music information...
The explosive growth of the Internet and the widespread availability of professional-grade editing t...
In this article we present a manifesto for research into the complex interplay between social media,...
This study attempts to define ethnomusicology as the study of people making music through the lens o...
A glance at the ethnomusicology of the Muslim-majority Middle East might suggest it is peculiarly ex...
In this review, I discuss a book that was recently published by members of the Study Group on Histor...
Open Access (OA) publishing and FAIR Principles both present opportunities to make music and music s...
It is surprising how easy it is to relate Zeitlin’s discussions about a highly valued, finely made m...
In this commentary on Hofmann et al. (2021), the notion of ethnomusicology and some of its underlyin...
Recordings of musical practices are kept in various public institutions and private depositories aro...
Musical worlds, not unlike our lived realities, are fundamentally fragmented and diverse, a fact oft...
Music researchers work with increasingly large and complex data sets. There are few established data...
In this article, we argue that ethnomusicology holds valuable epistemic insights for considering how...
This paper considers debates that have taken place in ethnomusicology as a result of engagement with...
Western academic literature exploring global music frequently perpetuates stereotypes about nonWeste...
Technology and music have a centuries old history of coexistence: from luthiers to music information...
The explosive growth of the Internet and the widespread availability of professional-grade editing t...
In this article we present a manifesto for research into the complex interplay between social media,...
This study attempts to define ethnomusicology as the study of people making music through the lens o...
A glance at the ethnomusicology of the Muslim-majority Middle East might suggest it is peculiarly ex...
In this review, I discuss a book that was recently published by members of the Study Group on Histor...
Open Access (OA) publishing and FAIR Principles both present opportunities to make music and music s...
It is surprising how easy it is to relate Zeitlin’s discussions about a highly valued, finely made m...