Abstract - The musical world of young conservatoire graduates is increasingly diverse. Many graduates end up playing in educational performances, musical theatre performances or other innovative crossover musical practices. Such multidisciplinary practices seem to demand different skills than technical virtuosity alone. How can we train tomorrow’s musicians? What kinds of non-musical skills and competencies do they need to flourish in contemporary music practices? These questions inspired our experimental learning environment Music in the Making. Acknowledging the changing musical practices of young musicians, we set out to experiment with learning skills that evolve around collaboration, creativity and engagement. In this article we outli...
In recent years, student involvement has become a central topic in higher music education. Many argu...
Students develop knowledge of themselves, their peers and their creative thinking and practice throu...
This paper presents the results of an observational study focusing on the collaborative learning pro...
The musical world of young conservatoire graduates is increasingly diverse. Many graduates end up pl...
Musicians are continually 'in the making', tapping into their own creative resources while deriving ...
Music curricula have become increasingly systematised in universities. This means that students may ...
In higher music education, learning in social settings (orchestras, choirs, bands, chamber music and...
This chapter discusses research on informal learning (Green in How popular musicians learn. Ashgate ...
Abstract - Europe has a very strong tradition of teaching how to play a musical instrument, leading...
The general purpose of this presentation is to discuss how alternative forms of learning strategies ...
Contemporary professional music performance and teaching practices demand the ability to engage in a...
It is hardly clear from the literature how the development of students’ innovative projects in highe...
Aural-skills educators are increasingly subscribing to a broad notion of musical ’hearing’, which re...
This paper1 explores firstly the sense in which improvisation might be conceived of as an informal m...
This paper investigates the role of play in university-based communities of practice. We consider pl...
In recent years, student involvement has become a central topic in higher music education. Many argu...
Students develop knowledge of themselves, their peers and their creative thinking and practice throu...
This paper presents the results of an observational study focusing on the collaborative learning pro...
The musical world of young conservatoire graduates is increasingly diverse. Many graduates end up pl...
Musicians are continually 'in the making', tapping into their own creative resources while deriving ...
Music curricula have become increasingly systematised in universities. This means that students may ...
In higher music education, learning in social settings (orchestras, choirs, bands, chamber music and...
This chapter discusses research on informal learning (Green in How popular musicians learn. Ashgate ...
Abstract - Europe has a very strong tradition of teaching how to play a musical instrument, leading...
The general purpose of this presentation is to discuss how alternative forms of learning strategies ...
Contemporary professional music performance and teaching practices demand the ability to engage in a...
It is hardly clear from the literature how the development of students’ innovative projects in highe...
Aural-skills educators are increasingly subscribing to a broad notion of musical ’hearing’, which re...
This paper1 explores firstly the sense in which improvisation might be conceived of as an informal m...
This paper investigates the role of play in university-based communities of practice. We consider pl...
In recent years, student involvement has become a central topic in higher music education. Many argu...
Students develop knowledge of themselves, their peers and their creative thinking and practice throu...
This paper presents the results of an observational study focusing on the collaborative learning pro...