I am honored to be speaking today in the city where, in 1908, the editor of the St.Louis Mirror proclaimed that Emma Goldman was the daughter of a dream and that there was nothing wrong with her gospel except that she was 8,000 years ahead of her age. Here, at the twentieth anniversary of the Association for Documentary Editing, the Women\u27s Interest Network breakfast has become a time to bond in the early morning hours with my sister-editors (and brother-editors, too) and to reflect upon our own experience as women, as documentary editors, as people who have devoted many years of our lives to making sure that the life and work of others become an indelible part of the historical record. We are a particular kind of family, often misun...
Fragments of autobiography are everywhere, particularly when you work in archives with letters, diar...
Contributors to Documentary Editing: Journal of the Association for Documentary Editing, Volume 31: ...
Spring and Summer 2008, Volume 30, Numbers 1 & 2 If You Have to Explain It, Is it Still Funny?, Be...
Documentary editors are attracted to and often bemused and irritated by biography (and biographers)....
Several months ago I began to wonder, what could I possibly say in this address that members of our ...
Twenty years ago, at the first annual meeting of the Association for Documentary Editing in Princeto...
My introduction to documentary editing differs from that of other scholarly editors. They are schola...
I became the editor of the Emma Goldman Papers while I was writing Love, Anarchy, and Emma Goldman-a...
This is a modest revision of a paper written for a panel on the past and future of historical editin...
The Harriet Jacobs Papers began as an offshoot of Jean Fagan Yellin\u27s research for a biography of...
Welcome to the celebration of the thirtieth anniversary of the founding of the Association for Docum...
The Association for Documentary Editing appreciates the contributions its members have made during 2...
I began working as a literary textual editor in the summer of 1968, my second year of graduate schoo...
If Documentary Editing were a grown child celebrating its 25th birthday, its parents, concerned with...
Includes bibliographical references (pages 84-87).Emma Goldman, prominent anarchist activist in the ...
Fragments of autobiography are everywhere, particularly when you work in archives with letters, diar...
Contributors to Documentary Editing: Journal of the Association for Documentary Editing, Volume 31: ...
Spring and Summer 2008, Volume 30, Numbers 1 & 2 If You Have to Explain It, Is it Still Funny?, Be...
Documentary editors are attracted to and often bemused and irritated by biography (and biographers)....
Several months ago I began to wonder, what could I possibly say in this address that members of our ...
Twenty years ago, at the first annual meeting of the Association for Documentary Editing in Princeto...
My introduction to documentary editing differs from that of other scholarly editors. They are schola...
I became the editor of the Emma Goldman Papers while I was writing Love, Anarchy, and Emma Goldman-a...
This is a modest revision of a paper written for a panel on the past and future of historical editin...
The Harriet Jacobs Papers began as an offshoot of Jean Fagan Yellin\u27s research for a biography of...
Welcome to the celebration of the thirtieth anniversary of the founding of the Association for Docum...
The Association for Documentary Editing appreciates the contributions its members have made during 2...
I began working as a literary textual editor in the summer of 1968, my second year of graduate schoo...
If Documentary Editing were a grown child celebrating its 25th birthday, its parents, concerned with...
Includes bibliographical references (pages 84-87).Emma Goldman, prominent anarchist activist in the ...
Fragments of autobiography are everywhere, particularly when you work in archives with letters, diar...
Contributors to Documentary Editing: Journal of the Association for Documentary Editing, Volume 31: ...
Spring and Summer 2008, Volume 30, Numbers 1 & 2 If You Have to Explain It, Is it Still Funny?, Be...