Art historian Sandra Frimmel explores Leonid Talochkin’s (1936–2002) collection of unofficial Soviet art, which was listed as national cultural heritage in 1976. The article is based on Frimmel’s research at Garage Museum of Contemporary Art as part of the Archive Summer program and is published here for the first time
International audienceThe role of female collectors in the promotion of non-official Soviet art is r...
During the early Cold War, a polarised view of artistic practice in the United States and the Soviet...
In the first decade after 1948 Communist coup d'état, private art collecting in Czechoslovakia exper...
Art historian Sandra Frimmel explores Leonid Talochkin’s (1936–2002) collection of unofficial Soviet...
In 1987 the Moscow art scene became preoccupied with the idea of establishing a museum of contempora...
With the Russian Revolution of 1917 art became the domain of the state. The Communist party attempte...
This article explores the main stages of the study of naive art in Russia, starting from the first d...
This article is devoted to the history of George Riabov's collection of Russian art. Among art colle...
This article tells the fascinating story of the Savitsky Karakalpakstan Art museum in Nukus (Uzbekis...
The COURAGE Registry is a digital research tool that allows exploring the legacy of cultural opposit...
This article is dedicated to analysis of the Kiev artists\u27 art project "Fiction Gallery Expeditio...
Straipsnyje nagrinėjama kolekcionavimo, kaip siekio suteikti savo ekonominei gerovei aukštesnį statu...
Moscow-born critic Tupitsyn presents a history of Soviet art. Apart from the historical aspect, the ...
The article discusses the role of Moscow merchant, philanthropist and collector of works of Russian ...
This article is an introduction to the New York Public Library’s revolutionary and post-revolutionar...
International audienceThe role of female collectors in the promotion of non-official Soviet art is r...
During the early Cold War, a polarised view of artistic practice in the United States and the Soviet...
In the first decade after 1948 Communist coup d'état, private art collecting in Czechoslovakia exper...
Art historian Sandra Frimmel explores Leonid Talochkin’s (1936–2002) collection of unofficial Soviet...
In 1987 the Moscow art scene became preoccupied with the idea of establishing a museum of contempora...
With the Russian Revolution of 1917 art became the domain of the state. The Communist party attempte...
This article explores the main stages of the study of naive art in Russia, starting from the first d...
This article is devoted to the history of George Riabov's collection of Russian art. Among art colle...
This article tells the fascinating story of the Savitsky Karakalpakstan Art museum in Nukus (Uzbekis...
The COURAGE Registry is a digital research tool that allows exploring the legacy of cultural opposit...
This article is dedicated to analysis of the Kiev artists\u27 art project "Fiction Gallery Expeditio...
Straipsnyje nagrinėjama kolekcionavimo, kaip siekio suteikti savo ekonominei gerovei aukštesnį statu...
Moscow-born critic Tupitsyn presents a history of Soviet art. Apart from the historical aspect, the ...
The article discusses the role of Moscow merchant, philanthropist and collector of works of Russian ...
This article is an introduction to the New York Public Library’s revolutionary and post-revolutionar...
International audienceThe role of female collectors in the promotion of non-official Soviet art is r...
During the early Cold War, a polarised view of artistic practice in the United States and the Soviet...
In the first decade after 1948 Communist coup d'état, private art collecting in Czechoslovakia exper...