This M.A. thesis is based on the author Eva Rosemarijn Burgerhoudt’s practical research from creating the performance Go Away - See if I’m There. The aim of this paper is to describe the findings regarding experiencing human behaviour in the theatre, through analysing the process and results of this performance. The author mostly uses personal experiences, as well as conversations with performers and attendees of the performance. In addition to this main research she uses behavioural theory from Robert Sapolsky, and theory from Richard Schechner and Hans-Thies Lehmann about the relationship between the performers and the attendees in performances. The author also uses several other experiences as a creator, dramaturg, performer and attendee...
The central question of this thesis is: what are the key principles of live performance presence? M...
This thesis investigates how participants in 20 hours of video-recorded scenic opera rehearsals make...
This thesis investigates how participants in 20 hours of video-recorded scenic opera rehearsals make...
This thesis contains an ethno-phenomenological study of actors’ experiences of performing in theatre...
This thesis contains an ethno-phenomenological study of actors’ experiences of performing in theatre...
This thesis builds on three studies that explore a professional rehearsal process as situated intera...
This thesis builds on three studies that explore a professional rehearsal process as situated intera...
This thesis builds on three studies that explore a professional rehearsal process as situated intera...
This thesis presents research in creative practice that explores how directorial approach and stagin...
This thesis tries to phrase specifics and patterns of a stage creation that contains latent possibil...
This thesis is an exploration of a series of related elements that combine to form a personal ‘journ...
This graduate paper deals with the phenomenon of the theatre spectacle that truly becomes alive no s...
This thesis tries to grasp my own journey to movement and authorial performance. Its first part is f...
The thesis ?Dramaturgy as an attempt at social discourse?? describes and analyses the selected seaso...
My diploma thesis could feature the subtitle: When and what the stage should learn from life, when a...
The central question of this thesis is: what are the key principles of live performance presence? M...
This thesis investigates how participants in 20 hours of video-recorded scenic opera rehearsals make...
This thesis investigates how participants in 20 hours of video-recorded scenic opera rehearsals make...
This thesis contains an ethno-phenomenological study of actors’ experiences of performing in theatre...
This thesis contains an ethno-phenomenological study of actors’ experiences of performing in theatre...
This thesis builds on three studies that explore a professional rehearsal process as situated intera...
This thesis builds on three studies that explore a professional rehearsal process as situated intera...
This thesis builds on three studies that explore a professional rehearsal process as situated intera...
This thesis presents research in creative practice that explores how directorial approach and stagin...
This thesis tries to phrase specifics and patterns of a stage creation that contains latent possibil...
This thesis is an exploration of a series of related elements that combine to form a personal ‘journ...
This graduate paper deals with the phenomenon of the theatre spectacle that truly becomes alive no s...
This thesis tries to grasp my own journey to movement and authorial performance. Its first part is f...
The thesis ?Dramaturgy as an attempt at social discourse?? describes and analyses the selected seaso...
My diploma thesis could feature the subtitle: When and what the stage should learn from life, when a...
The central question of this thesis is: what are the key principles of live performance presence? M...
This thesis investigates how participants in 20 hours of video-recorded scenic opera rehearsals make...
This thesis investigates how participants in 20 hours of video-recorded scenic opera rehearsals make...