Add to ORKGIncluded in the curated group exhibition, 'Rites of Passage', at the Gympie Regional Gallery, 13 March-20 April 2019, this series of images is part of an ongoing genealogical investigation of national origin myths through individual stories. While national mythologies are conveyed as coherent stories of cultural formation, family storytelling is often chaotic and contradictory, revealing deeper and unsettling truths about both individual experiences and their cultural contexts. The selection of images and text are drawn from the artist’s own family archive and each represents a story that assumed significance at key turning points in the artist’s life
University of Technology, Sydney. Faculty of Arts and Social Sciences.This thesis discusses the mean...
In her 2009 new media artwork PolesApart, Australian Aboriginal artist r e a, of the Gamilaraay peop...
New Voices, New Visions brings together a collection of papers that engage with the ideas of nation,...
Each iteration of Australia's national story reveals not only the past in question, but also the...
The removal of Indigenous children from their parents has been part of the colonising relations of I...
Reflecting an evolving image of Australia from the 1840s until today, The photograph and Australia p...
The recent public advent of Aboriginal and Torres Strait Islander art and its national and internati...
Since the introduction of multiculturalism as a public policy in 1973, the peopling of Australia by ...
Australia: A Cultural History, first published in 1988, is still the only short history of Australia...
This solo exhibition developed in response to Australian commemorations of the Anzac legend during t...
How did the kangaroo transform from a bizarre curiosity to an internationally recognised symbol of A...
In 1975, Museums Australia in conjunction with the Federal government undertook an assessment of mus...
Images, Institutions, and Evolving Nation: Transformations in Australian art, museums, and cultural...
Sometimes data invites more of us. To be physically held and touched, through hands creating and cra...
Navigating cultural collections in museums can be a particular and challenging task. Indigenous...
University of Technology, Sydney. Faculty of Arts and Social Sciences.This thesis discusses the mean...
In her 2009 new media artwork PolesApart, Australian Aboriginal artist r e a, of the Gamilaraay peop...
New Voices, New Visions brings together a collection of papers that engage with the ideas of nation,...
Each iteration of Australia's national story reveals not only the past in question, but also the...
The removal of Indigenous children from their parents has been part of the colonising relations of I...
Reflecting an evolving image of Australia from the 1840s until today, The photograph and Australia p...
The recent public advent of Aboriginal and Torres Strait Islander art and its national and internati...
Since the introduction of multiculturalism as a public policy in 1973, the peopling of Australia by ...
Australia: A Cultural History, first published in 1988, is still the only short history of Australia...
This solo exhibition developed in response to Australian commemorations of the Anzac legend during t...
How did the kangaroo transform from a bizarre curiosity to an internationally recognised symbol of A...
In 1975, Museums Australia in conjunction with the Federal government undertook an assessment of mus...
Images, Institutions, and Evolving Nation: Transformations in Australian art, museums, and cultural...
Sometimes data invites more of us. To be physically held and touched, through hands creating and cra...
Navigating cultural collections in museums can be a particular and challenging task. Indigenous...
University of Technology, Sydney. Faculty of Arts and Social Sciences.This thesis discusses the mean...
In her 2009 new media artwork PolesApart, Australian Aboriginal artist r e a, of the Gamilaraay peop...
New Voices, New Visions brings together a collection of papers that engage with the ideas of nation,...