The following draws attention to the rather messy and uncertain aspects of international production as well as the increasingly shared turmoil screen media workers face no matter their geographical location. I argue that international production is not just an inevitable consequence of cost cutting and public subsidy but a product of human labor obscured in both popular and scholarly accounts of runaway production. I furthermore highlight the contours of that labor by drawing attention to the work of service producers in Eastern Europe. Looking more closely at conditions ‘on the ground’ makes visible the demanding and vulnerable nature of that work, and underscores the shifting spatial dynamics of screen media labor worldwide
Precarious Creativity examines the seismic changes confronting media workers in an age of globalizat...
Precarious Creativity examines the seismic changes confronting media workers in an age of globalizat...
This article concentrates on the global location of production of television receivers as a case stu...
From the studio’s perspective, the mobile logistics of media production are a logical calculation of...
I approached the editorial prompt as an opportunity to work through some of the concerns driving my ...
This chapter calls for a more multi-valent engagement with screen media labor that weaves the macro-...
mamcnutt [AT] wisc.edu This article addresses the spatial challenges facing television laborers amid...
Studies of contemporary media production have to grapple with the empirical, methodological, and th...
This article addresses the spatial challenges facing television laborers amid an increasingly expans...
Historically, organized labor has played a fundamental role in guaranteeing basic rights and privile...
Advances in information and communication technologies have enabled elements of film and television ...
This collection places the workplace experiences of industry workers at centre stage. It looks at fi...
This working paper takes Electronic Manufacturing Services (EMS) as a paradigmatic example to discus...
Runaway production is a phrase commonly used by Hollywood film and television production labor to de...
Precarious Creativity examines the seismic changes confronting media workers in an age of globalizat...
Precarious Creativity examines the seismic changes confronting media workers in an age of globalizat...
Precarious Creativity examines the seismic changes confronting media workers in an age of globalizat...
This article concentrates on the global location of production of television receivers as a case stu...
From the studio’s perspective, the mobile logistics of media production are a logical calculation of...
I approached the editorial prompt as an opportunity to work through some of the concerns driving my ...
This chapter calls for a more multi-valent engagement with screen media labor that weaves the macro-...
mamcnutt [AT] wisc.edu This article addresses the spatial challenges facing television laborers amid...
Studies of contemporary media production have to grapple with the empirical, methodological, and th...
This article addresses the spatial challenges facing television laborers amid an increasingly expans...
Historically, organized labor has played a fundamental role in guaranteeing basic rights and privile...
Advances in information and communication technologies have enabled elements of film and television ...
This collection places the workplace experiences of industry workers at centre stage. It looks at fi...
This working paper takes Electronic Manufacturing Services (EMS) as a paradigmatic example to discus...
Runaway production is a phrase commonly used by Hollywood film and television production labor to de...
Precarious Creativity examines the seismic changes confronting media workers in an age of globalizat...
Precarious Creativity examines the seismic changes confronting media workers in an age of globalizat...
Precarious Creativity examines the seismic changes confronting media workers in an age of globalizat...
This article concentrates on the global location of production of television receivers as a case stu...