Focusing on a practice-based approach – thinking about the relationships between drawing, performance and running, this paper is derived from a presentation aimed to introduce the artwork RUN VERTICAL (Running up the Side of a Building), an Arts Council England funded project. Pointing to an increasing awareness of interconnected practices, necessity of collaboration and institutional critique, I highlight key aspects of my practice; and artworks by artists such as, Carolee Schneemann, Martin Creed and Trisha Brown help to inform an understanding of the ‘line’ and ‘body’
The determination of academic research on the field of the arts education troubling its own artistic...
Artist\u27s Statement …expanding both the creative and physical limitations that we impose on ourse...
When does a drawing turn into a performance? Is the act of drawing in itself a performative process,...
This practice-based investigation offers an understanding of the role of the body in drawing. The re...
It has been suggested that exercise can improve our creative ability (Blanchette, Ramocki, O'del a...
This paper runs through the RUN! RUN! RUN! Biennale’s origins, curatorial framework, and its potenti...
More than two million people run weekly in England, but many of us may not know that two million yea...
Artist-curator Dr Kai Syng Tan FRSA provides a rundown of how artists use running to think about the...
This article deals with the possibilities of artification in sport, using distance running as an exa...
See https://fermynwoods.org/running-artfully-network-launch-event/ and https://kaisyngtan.com/artful...
artists and geographers frequently work together. the article explores one such ongoing collaboratio...
The basic, universal movement of the running body has been repeated and made visible in aesthetic, s...
Artist\u27s Statement …expanding both the creative and physical limitations that we impose on ourse...
What is meant by artist-led and how does this make a difference? This ongoing research explores ...
Artist\u27s Statement …expanding both the creative and physical limitations that we impose on ourse...
The determination of academic research on the field of the arts education troubling its own artistic...
Artist\u27s Statement …expanding both the creative and physical limitations that we impose on ourse...
When does a drawing turn into a performance? Is the act of drawing in itself a performative process,...
This practice-based investigation offers an understanding of the role of the body in drawing. The re...
It has been suggested that exercise can improve our creative ability (Blanchette, Ramocki, O'del a...
This paper runs through the RUN! RUN! RUN! Biennale’s origins, curatorial framework, and its potenti...
More than two million people run weekly in England, but many of us may not know that two million yea...
Artist-curator Dr Kai Syng Tan FRSA provides a rundown of how artists use running to think about the...
This article deals with the possibilities of artification in sport, using distance running as an exa...
See https://fermynwoods.org/running-artfully-network-launch-event/ and https://kaisyngtan.com/artful...
artists and geographers frequently work together. the article explores one such ongoing collaboratio...
The basic, universal movement of the running body has been repeated and made visible in aesthetic, s...
Artist\u27s Statement …expanding both the creative and physical limitations that we impose on ourse...
What is meant by artist-led and how does this make a difference? This ongoing research explores ...
Artist\u27s Statement …expanding both the creative and physical limitations that we impose on ourse...
The determination of academic research on the field of the arts education troubling its own artistic...
Artist\u27s Statement …expanding both the creative and physical limitations that we impose on ourse...
When does a drawing turn into a performance? Is the act of drawing in itself a performative process,...