This article will aim to give an overview of the development of oral history programme at the National Archives of Zimbabwe since the colonial period to the present. It will look at the strengths and weaknesses of the programme, especially in issues of inclusivity and exclusivity. The article will try to answer  questions such as whether the programme is national in its outlook or elitist in its approach, serving the interests of few dominant ethnic groups. How it is faring in giving a voice to those marginalised groups of the society will be another issue the article will consider. It will also look at the approaches and methodologies used to collect oral testimonies and how these bear in the long term on preserving and archiving these re...
The purpose of this paper is to share recent developments and practices implemented by the KwaZulu-N...
Oral history as a technique for historical documentation was initiated in the North. It has been rec...
A financial contribution by the Department of Arts and Culture made this publication possible.South ...
The study was prompted by a substantial gap when it comes to the oral history of the minority groups...
 Thompson (1998, 27) argued that “there have been telling criticisms of a relationship with infor...
Archives and the archivists are critical elements in the construction and reconstruction of social h...
The growth of African family history and chieftainship wrangles have placed archivists under increas...
The article traces archival development in Zimbabwe from the colonial to the postcolonial periods. L...
 Oral history collections are vital assets that represent national heritage. While transcribed coll...
In Zimbabwe oral historiography has been a slave to traditional political and intellectual discourse...
In 2004, the government of Zimbabwe launched the Capturing a Fading National Memory project whose ai...
Politics have greatly influenced the documentation process of Zimbabwean history. This article takes...
Societal archives are a selective memory and the voices of the socio-political and economic elites a...
Zimbabwe became a colony of the British Empire on 13 September 1890, and attained independence in 19...
The Tshwao or San people, formally known as Bushmen, are believed to have been the first people to s...
The purpose of this paper is to share recent developments and practices implemented by the KwaZulu-N...
Oral history as a technique for historical documentation was initiated in the North. It has been rec...
A financial contribution by the Department of Arts and Culture made this publication possible.South ...
The study was prompted by a substantial gap when it comes to the oral history of the minority groups...
 Thompson (1998, 27) argued that “there have been telling criticisms of a relationship with infor...
Archives and the archivists are critical elements in the construction and reconstruction of social h...
The growth of African family history and chieftainship wrangles have placed archivists under increas...
The article traces archival development in Zimbabwe from the colonial to the postcolonial periods. L...
 Oral history collections are vital assets that represent national heritage. While transcribed coll...
In Zimbabwe oral historiography has been a slave to traditional political and intellectual discourse...
In 2004, the government of Zimbabwe launched the Capturing a Fading National Memory project whose ai...
Politics have greatly influenced the documentation process of Zimbabwean history. This article takes...
Societal archives are a selective memory and the voices of the socio-political and economic elites a...
Zimbabwe became a colony of the British Empire on 13 September 1890, and attained independence in 19...
The Tshwao or San people, formally known as Bushmen, are believed to have been the first people to s...
The purpose of this paper is to share recent developments and practices implemented by the KwaZulu-N...
Oral history as a technique for historical documentation was initiated in the North. It has been rec...
A financial contribution by the Department of Arts and Culture made this publication possible.South ...