The use of a site-based drawing methodology as a tool to map place was undertaken in the belief that it is possible to think of maps not as representations of an established reality but as a tool to produce new realities, and that the act of drawing on site, with the pressures that come to bear during this action, assist the artist to engage in “fields of relations rather than arrangements of objects.” (Marot 2003:-iii), something considered vital to site analysis. This drawing approach considered many aspects of site analysis that Manuel de Sola-Morales wrote about in “A matter of things”, one of these was a desire for a methodology capable of revealing what de Sola-Morales describes as the “force of the peripheral place”, and exploring “t...
Focusing on manual drawing as an embodied means of encountering place and space this research interr...
Building on the success of the first volume in this series of research on collective and collaborati...
Landscapes are messy. They are ill-fitting, contradictory, dirty and used. Landscapes don’t look, sm...
The use of a site-based drawing methodology as a tool to map place was undertaken in the belief that...
Traditionally the notion of drawing in-situ has suggested the physical presence of the artist in the...
Traditionally the notion of drawing in-situ has suggested the physical presence of the artist in the...
Building on the success of the first volume in this series of research on collective and collaborati...
My practice is driven by the way “the Plan” is used as a stand-in for place, and by our tendency to...
This paper addresses the fundamental question: How does drawing on site inform the way we think abou...
The purpose of this thesis is to examine and critique the current limitations of architectural drawi...
This research upholds the Designer’s mediator role in the representation of places and drawing as it...
This abstract refers to an ongoing research entitled "Maps Tailored to the Body of Places: Drawing S...
This research project sets out to demonstrate that a contemporary application of systematic drawing ...
This paper discusses how drawing might mitigate ‘loss’ of place. By memorialising, recalling, reimag...
In his essay Visualization and Cognition: Drawing Things Together (2012), Bruno Latour explains a c...
Focusing on manual drawing as an embodied means of encountering place and space this research interr...
Building on the success of the first volume in this series of research on collective and collaborati...
Landscapes are messy. They are ill-fitting, contradictory, dirty and used. Landscapes don’t look, sm...
The use of a site-based drawing methodology as a tool to map place was undertaken in the belief that...
Traditionally the notion of drawing in-situ has suggested the physical presence of the artist in the...
Traditionally the notion of drawing in-situ has suggested the physical presence of the artist in the...
Building on the success of the first volume in this series of research on collective and collaborati...
My practice is driven by the way “the Plan” is used as a stand-in for place, and by our tendency to...
This paper addresses the fundamental question: How does drawing on site inform the way we think abou...
The purpose of this thesis is to examine and critique the current limitations of architectural drawi...
This research upholds the Designer’s mediator role in the representation of places and drawing as it...
This abstract refers to an ongoing research entitled "Maps Tailored to the Body of Places: Drawing S...
This research project sets out to demonstrate that a contemporary application of systematic drawing ...
This paper discusses how drawing might mitigate ‘loss’ of place. By memorialising, recalling, reimag...
In his essay Visualization and Cognition: Drawing Things Together (2012), Bruno Latour explains a c...
Focusing on manual drawing as an embodied means of encountering place and space this research interr...
Building on the success of the first volume in this series of research on collective and collaborati...
Landscapes are messy. They are ill-fitting, contradictory, dirty and used. Landscapes don’t look, sm...