© 2021 The Author(s). Published by Informa UK Limited, trading as Taylor & Francis GroupThis article presents the results of a survey among rectors of schools of music and performing arts in Norway. The aim was to map the schools’ offerings in terms of musical genres and related instruments and ensembles, and to determine how the availability of different genres was distributed demographically and geographically. A questionnaire including structured and open-ended questions was sent electronically to all rectors in August 2019 (response rate 58.4%, or 227 out of 389 rectors). The rectors were selected for the survey because they were the ones that had the complete overview of their school’s offerings. The data were analysed statistically an...
The last three decades have been marked by significant expansion of music education within higher edu...
This article discusses whether comparable traits exist between the academising processes that have t...
Membership of an amateur musical group is typically understood in relation to members’ experiences: ...
This article presents the results of a survey among rectors of schools of music and performing arts ...
In 1997, Norway became the first country to make statutory provision for schools of music and arts r...
In this chapter, we examine how music/teacher education is represented on the websites of four Norwe...
The admission to the music performance programs in Norway is not coordinated. There are good reasons...
In this article, the authors present and discuss results from an extensive study on the academizatio...
While there are ongoing debates about popular music education’s legitimacy in some parts of the worl...
A great deal of change has occurred within UK music education over the past decade. There were good ...
© The Author(s) 2021.The Norwegian municipal school of music and performing arts has diverse tasks i...
In England there is a National Curriculum in place which is intended to outline what will be taught ...
This thesis investigates Bourdieu’s concepts of doxa and illusio in English secondary school music e...
This article is based on a research project with the purpose of studying the academization of popula...
Nordic Research in Music Education Yearbook has been published since 1997 by the Norwegian Academy o...
The last three decades have been marked by significant expansion of music education within higher edu...
This article discusses whether comparable traits exist between the academising processes that have t...
Membership of an amateur musical group is typically understood in relation to members’ experiences: ...
This article presents the results of a survey among rectors of schools of music and performing arts ...
In 1997, Norway became the first country to make statutory provision for schools of music and arts r...
In this chapter, we examine how music/teacher education is represented on the websites of four Norwe...
The admission to the music performance programs in Norway is not coordinated. There are good reasons...
In this article, the authors present and discuss results from an extensive study on the academizatio...
While there are ongoing debates about popular music education’s legitimacy in some parts of the worl...
A great deal of change has occurred within UK music education over the past decade. There were good ...
© The Author(s) 2021.The Norwegian municipal school of music and performing arts has diverse tasks i...
In England there is a National Curriculum in place which is intended to outline what will be taught ...
This thesis investigates Bourdieu’s concepts of doxa and illusio in English secondary school music e...
This article is based on a research project with the purpose of studying the academization of popula...
Nordic Research in Music Education Yearbook has been published since 1997 by the Norwegian Academy o...
The last three decades have been marked by significant expansion of music education within higher edu...
This article discusses whether comparable traits exist between the academising processes that have t...
Membership of an amateur musical group is typically understood in relation to members’ experiences: ...