The illustration of a Parisian incunabular ; the large woodcuts of Antoine Caillaut’s Book of Hours. The printed Book of Hours held at the French Bibliothèque nationale under the reference Rés. vélins 1643, bears the mark of Antoine Caillaut, a printer-publisher-bookseller active in Paris from 1482 to about 1505. The book was probably printed at the beginning of the year 1489. Some of the engravings in it are the work of Jean Du Pré, others of Antoine Caillaut. The author of the present article looks at the sixteen large woodcuts and identifies three engravers, A, B and C, who could be their authors. The aim of the article is to show the close links between these engravings and contemporary manuscript illuminations. Thus there is a close r...
Principal centre d’imprimerie du XVIe siècle, rassemblant les auteurs et les forces artistiques du r...
In order to illustrate Le Bestiaire d’amours moralisé sur les bêtes et oiseaux in verse, a series of...
The architect, the sculptor, the marble mason and a few mantel pieces at Fontainebleau in the 1730’s...
Annelaure Aumaître et Céline Morisseau : Engraving Antiques : Mellan, Baudet and Louis XTV’s collect...
Includes index.Each part has separate title page each with printer's device.Also published in Paris ...
Copper engraving. This book of hours was dedicated to Marie Anne Christine Victoire de Bauirre, the ...
In the fifteenth century, the production of books of hours was concentrated in the Îlede- France and...
The Epitome des roys de France (Lyons, 1546) : a new kind of illustration. The Epitome des roys de ...
Une enquête sur les illustrations de romans imprimés à partir du dernier quart du XVe siècle apporte...
The exhibition was held in the Rare Books Exhibition space, Sir Louis Matheson Library, Monash Unive...
112 leaves. 19 woodcut and metal-cut full-page illustrations; borders illustrating religious and sec...
Engraved throughout. Title leaf signed by Jean Marot as engraver, 2 leaves signed by Goran. Mauban m...
Engraver and draughtsman. He appeared at the salons de la Jeunesse from 1768, exhibiting drawings of...
Without the music.Illustrations: 9 double-page engravings (including added title-page) by Israël Si...
« Künstlerische Illustration : von Radierung zu Lithographie, zwei Pariser Beispiele », von Christel...
Principal centre d’imprimerie du XVIe siècle, rassemblant les auteurs et les forces artistiques du r...
In order to illustrate Le Bestiaire d’amours moralisé sur les bêtes et oiseaux in verse, a series of...
The architect, the sculptor, the marble mason and a few mantel pieces at Fontainebleau in the 1730’s...
Annelaure Aumaître et Céline Morisseau : Engraving Antiques : Mellan, Baudet and Louis XTV’s collect...
Includes index.Each part has separate title page each with printer's device.Also published in Paris ...
Copper engraving. This book of hours was dedicated to Marie Anne Christine Victoire de Bauirre, the ...
In the fifteenth century, the production of books of hours was concentrated in the Îlede- France and...
The Epitome des roys de France (Lyons, 1546) : a new kind of illustration. The Epitome des roys de ...
Une enquête sur les illustrations de romans imprimés à partir du dernier quart du XVe siècle apporte...
The exhibition was held in the Rare Books Exhibition space, Sir Louis Matheson Library, Monash Unive...
112 leaves. 19 woodcut and metal-cut full-page illustrations; borders illustrating religious and sec...
Engraved throughout. Title leaf signed by Jean Marot as engraver, 2 leaves signed by Goran. Mauban m...
Engraver and draughtsman. He appeared at the salons de la Jeunesse from 1768, exhibiting drawings of...
Without the music.Illustrations: 9 double-page engravings (including added title-page) by Israël Si...
« Künstlerische Illustration : von Radierung zu Lithographie, zwei Pariser Beispiele », von Christel...
Principal centre d’imprimerie du XVIe siècle, rassemblant les auteurs et les forces artistiques du r...
In order to illustrate Le Bestiaire d’amours moralisé sur les bêtes et oiseaux in verse, a series of...
The architect, the sculptor, the marble mason and a few mantel pieces at Fontainebleau in the 1730’s...