Add to ORKGThe article discusses and examines Larsson’s thus far five crime fiction novels to investigate how the formation of identity are connected to the peripheral North – the “real” North of the globally popular crime fiction subgenre Nordic Noir. Certain key concepts will be used to examine the novels: hyperlocalisation, neo-romanticism, anthropomorphism, borders, and history. This article will argue that in Åsa Larsson’s novels, place and its nature, borders and history are crucial in identity formation, and the place with its nature, climate and animals is an active agent in all the narratives
This paper sets out to examine the extent to which the novel The Redbreast by Jo Nesbo confirms the ...
Set in a small town in the north of Finland, the crime TV series Ivalo (Arctic Circle, Finland, 2018...
During the last years the number of Swedish detective stories which take place in the province outsi...
This article outlines some of the common denominators of Nordic crime fiction: characteristics beyon...
Scandinavian crime films and television series have become popular in recent years. This thesis expl...
Scandinavian crime films and television series have become popular in recent years. This thesis expl...
Scandinavian crime films and television series have become popular in recent years. This thesis expl...
Scandinavian crime films and television series have become popular in recent years. This thesis expl...
This article tracks the uncanny locations of The Killing (2007–2012), relating them to place, space ...
Nordic noir is an emerging crime genre that draws on crime fiction, feature film, and television dra...
This chapter explores how the reading and consumption of Nordic crime fiction in the 2010s, particul...
Abstract In literary geography there is a relatively long history of studying regional narratives, ...
Nordic noir is an emerging crime genre that draws on crime fiction, feature film, and television dra...
Accessible yet comprehensive, this first systematic account of crime fiction across the globe offers...
This article analyses the three recent Nordic Noir television series Bordertown (Sorjonen) from Finl...
This paper sets out to examine the extent to which the novel The Redbreast by Jo Nesbo confirms the ...
Set in a small town in the north of Finland, the crime TV series Ivalo (Arctic Circle, Finland, 2018...
During the last years the number of Swedish detective stories which take place in the province outsi...
This article outlines some of the common denominators of Nordic crime fiction: characteristics beyon...
Scandinavian crime films and television series have become popular in recent years. This thesis expl...
Scandinavian crime films and television series have become popular in recent years. This thesis expl...
Scandinavian crime films and television series have become popular in recent years. This thesis expl...
Scandinavian crime films and television series have become popular in recent years. This thesis expl...
This article tracks the uncanny locations of The Killing (2007–2012), relating them to place, space ...
Nordic noir is an emerging crime genre that draws on crime fiction, feature film, and television dra...
This chapter explores how the reading and consumption of Nordic crime fiction in the 2010s, particul...
Abstract In literary geography there is a relatively long history of studying regional narratives, ...
Nordic noir is an emerging crime genre that draws on crime fiction, feature film, and television dra...
Accessible yet comprehensive, this first systematic account of crime fiction across the globe offers...
This article analyses the three recent Nordic Noir television series Bordertown (Sorjonen) from Finl...
This paper sets out to examine the extent to which the novel The Redbreast by Jo Nesbo confirms the ...
Set in a small town in the north of Finland, the crime TV series Ivalo (Arctic Circle, Finland, 2018...
During the last years the number of Swedish detective stories which take place in the province outsi...