The shift from analog to digital cultures has impacted on our understandings of "liveness" in sound. The chapter seeks to address this challenge to past understandings not merely through changing constructions of performance, but also in the broader context of sound as active information moving freely online. Considerations of artists and consumers are drawn upon; however, it is proposed that such terms are no longer mutually exclusive as we all become "users" of sound: engaging, reshaping, and sharing digital information. Drawing on the thoughts and responses of musicians, sound recordists, and producers, Live or Memorex? addresses the changing meaning of "live." How audio is captured, manipulated, and presented in a digital context has im...
Purpose – The purpose of this paper is to further develop the conceptualization of music consumption...
© 2019 Thomas RandoDigital technology in music is evolving at an accelerating pace. Musicians are in...
The effect of technology on music has been indisputably profound. As a cultural descendant of the tr...
The author explores the vibrant, but often hidden, unorthodox musical culture of Australia, recounti...
peer-reviewedThis paper is predicated on the argument that real-time computer-generated music exists...
What 'live music' means for one generation or culture does not necessarily mean 'live' for another. ...
This paper focuses on how digital media and new technological devices have changed music production ...
This article explores the concept of musical liveness, and seeks to clarify how digital technologies...
Live audio-visual performance is an emerging area of new media arts practice that crosses between, a...
This chapter discusses the impact of digital technology on the use of electronic amplification for c...
In this paper, I examine the relationship between new technologies and listening, starting from a di...
Ce travail de thèse pose la question du caractère « vivant » (liveness) dans la musique électroniqu...
This thesis considers shifting definitions of ‘liveness’ within the fields of performance, music, an...
Today the potential for artists to retake control of artistic value of their own music may have come...
Since the original publication of Life Online (Markham, 1998), internet use has become what Hine (20...
Purpose – The purpose of this paper is to further develop the conceptualization of music consumption...
© 2019 Thomas RandoDigital technology in music is evolving at an accelerating pace. Musicians are in...
The effect of technology on music has been indisputably profound. As a cultural descendant of the tr...
The author explores the vibrant, but often hidden, unorthodox musical culture of Australia, recounti...
peer-reviewedThis paper is predicated on the argument that real-time computer-generated music exists...
What 'live music' means for one generation or culture does not necessarily mean 'live' for another. ...
This paper focuses on how digital media and new technological devices have changed music production ...
This article explores the concept of musical liveness, and seeks to clarify how digital technologies...
Live audio-visual performance is an emerging area of new media arts practice that crosses between, a...
This chapter discusses the impact of digital technology on the use of electronic amplification for c...
In this paper, I examine the relationship between new technologies and listening, starting from a di...
Ce travail de thèse pose la question du caractère « vivant » (liveness) dans la musique électroniqu...
This thesis considers shifting definitions of ‘liveness’ within the fields of performance, music, an...
Today the potential for artists to retake control of artistic value of their own music may have come...
Since the original publication of Life Online (Markham, 1998), internet use has become what Hine (20...
Purpose – The purpose of this paper is to further develop the conceptualization of music consumption...
© 2019 Thomas RandoDigital technology in music is evolving at an accelerating pace. Musicians are in...
The effect of technology on music has been indisputably profound. As a cultural descendant of the tr...