Museums are places where material culture and specimens from nature provide opportunities to help visitors understand the lifeworld-sometimes of the ordinary, sometimes extraordinary, but always within the context of relationships to people, places and time. The encounter with museum objects provides the visitor with the range of possible human experiences, a personal sense of the life of another as it was lived, or simply provides access to the vital and fundamental aspects of being human-a phenomenological museum curriculum. Yet, despite the prospect of being a multi-sensory milieu, museums offer a peculiar provocation to the senses: don\u27t touch. By framing the considerations of the need for touch within the museum, our intent is to ex...
This thesis aims to explore sensory engagements with material objects. In other words, it investiga...
The Things about Museums constitutes a unique, highly diverse collection of essays unprecedented in ...
Book synopsis: Should sight trump the other four senses when experiencing and evaluating art? Art, H...
Museums are places where material culture and specimens from nature provide opportunities to help vi...
For many, a museum visit may consist of gazing at objects locked away in glass a cabinet accompanied...
The value of touch and object handling in museums is little understood, despite the overwhelming wei...
Art, museums and touch examines conceptions and uses of touch within arts museums and art history. C...
Much recent writing on object-based learning (OBL) in museums assumes that the prevailing paradigm s...
This paper investigates an interdisciplinary perspective on museum research, offering a new orientat...
Thesis (Ph. D.)--University of Rochester. Program in Visual and Cultural Studies, 2012.In the twenty...
The benefits of multisensory learning are recognized both in the field of formal education, informal...
Highly precise 3D data capture capabilities, visualisation techniques and advanced virtual interacti...
Through creative practice research this thesis investigates the concept of touch and its application...
Much critical evaluation of artist's books has been based on the review models of art and literature...
Touch is the first sense to develop in the womb, yet often it is overlooked. The Senses of Touch exa...
This thesis aims to explore sensory engagements with material objects. In other words, it investiga...
The Things about Museums constitutes a unique, highly diverse collection of essays unprecedented in ...
Book synopsis: Should sight trump the other four senses when experiencing and evaluating art? Art, H...
Museums are places where material culture and specimens from nature provide opportunities to help vi...
For many, a museum visit may consist of gazing at objects locked away in glass a cabinet accompanied...
The value of touch and object handling in museums is little understood, despite the overwhelming wei...
Art, museums and touch examines conceptions and uses of touch within arts museums and art history. C...
Much recent writing on object-based learning (OBL) in museums assumes that the prevailing paradigm s...
This paper investigates an interdisciplinary perspective on museum research, offering a new orientat...
Thesis (Ph. D.)--University of Rochester. Program in Visual and Cultural Studies, 2012.In the twenty...
The benefits of multisensory learning are recognized both in the field of formal education, informal...
Highly precise 3D data capture capabilities, visualisation techniques and advanced virtual interacti...
Through creative practice research this thesis investigates the concept of touch and its application...
Much critical evaluation of artist's books has been based on the review models of art and literature...
Touch is the first sense to develop in the womb, yet often it is overlooked. The Senses of Touch exa...
This thesis aims to explore sensory engagements with material objects. In other words, it investiga...
The Things about Museums constitutes a unique, highly diverse collection of essays unprecedented in ...
Book synopsis: Should sight trump the other four senses when experiencing and evaluating art? Art, H...