My experiences are me. This project is an excavation of these experiences in order to create consciousness, awareness, assign language, and pay homage to those experiences that have heavily influenced how I move through the world with dance as my medium. I am really interested in the embodiment of history rather than the traditionally written and published history. Acknowledging the history that we hold in our vessels and that history being just as important, present, and valuable as the history we may read
What are you currently working on? It is a reconstruction of a dance piece? Fabián Barba: This janu...
This project, is about Bard\u27s history of ghosts, subcultural lore and what makes something home ...
babaamiwizh – blood memory and how we carry intergenerational histories: a collection of fragmented ...
The art of dance, as a practice expressed in the body language of the dancer, addresses our bodily e...
The research for this thesis won the 2nd place award in the 2009 Denman Research Forum in the catego...
Third place for the 2019 Images of Research and Art CompetitionSelected to present at the 2019 Resea...
This paper serves as a reflection on my choreographic process as a LINES BFA senior and as an invest...
Us, AbunDantly, a Live theatrical dance performance and film, delves into the African Diaspora and ...
For all the women who raised meand worked to give me better than they had and for Kitty who lived it...
This choreographic thesis describes the conceptual foundations underlying the development of the dan...
My undergraduate honors distinction research explores the reconstruction of a historical dance work ...
This study investigates the history of Morris Dancing in the twentieth century through w...
Methods of dance preservation have evolved alongside conceptual themes that have framed dance’s hist...
Connections are valuable in everyday life. Bloodlines speaks about my personal connections to my bio...
Umfundalai is a contemporary African dance form that was created by Dr. Kariamu\ud Welsh, an African...
What are you currently working on? It is a reconstruction of a dance piece? Fabián Barba: This janu...
This project, is about Bard\u27s history of ghosts, subcultural lore and what makes something home ...
babaamiwizh – blood memory and how we carry intergenerational histories: a collection of fragmented ...
The art of dance, as a practice expressed in the body language of the dancer, addresses our bodily e...
The research for this thesis won the 2nd place award in the 2009 Denman Research Forum in the catego...
Third place for the 2019 Images of Research and Art CompetitionSelected to present at the 2019 Resea...
This paper serves as a reflection on my choreographic process as a LINES BFA senior and as an invest...
Us, AbunDantly, a Live theatrical dance performance and film, delves into the African Diaspora and ...
For all the women who raised meand worked to give me better than they had and for Kitty who lived it...
This choreographic thesis describes the conceptual foundations underlying the development of the dan...
My undergraduate honors distinction research explores the reconstruction of a historical dance work ...
This study investigates the history of Morris Dancing in the twentieth century through w...
Methods of dance preservation have evolved alongside conceptual themes that have framed dance’s hist...
Connections are valuable in everyday life. Bloodlines speaks about my personal connections to my bio...
Umfundalai is a contemporary African dance form that was created by Dr. Kariamu\ud Welsh, an African...
What are you currently working on? It is a reconstruction of a dance piece? Fabián Barba: This janu...
This project, is about Bard\u27s history of ghosts, subcultural lore and what makes something home ...
babaamiwizh – blood memory and how we carry intergenerational histories: a collection of fragmented ...