Indigenous Ghanaian woven fabrics remain traditional cultural pieces, highlighting the value and heritage of the indigenes in the communities. These fabrics are embedded with historical symbolic connotations that help the people to relate effectively and know their past. Recent studies have identified the tools, materials and new innovations in design by traditional weavers. This study seeks to highlight the aesthetics and philosophical connotations of the indigenous Asante Kente which are highly cherished by the indigenes. As a qualitative research, it adopts the narrative research design to interpret empirical information gathered from master weavers and opinion leaders from two weaving communities (Bonwire and Adanwomase) in the Ashanti ...
Traditional institutions in Ghana present themselves with Clothes that are symbolic and portray the ...
In the African society, the art and life of the people symbiotically reflect each other. African art...
In this study I examine changes that have taken place in several distinct traditions of Ewe weaving ...
Indigenous Ghanaian woven fabrics remain traditional cultural pieces, highlighting the value and her...
The socio-cultural symbolisms and aesthetics of the Ghanaian kente cloth has for years gained respec...
Strip weaving in Ghana has been an art in transition and has been handed over from generation to gen...
Asante Kente is a richly coloured, intricately patterned indigenous hand woven fabric that is typica...
This paper investigated into the philosophical and historical representations of the celebrated Adin...
In the Ghanaian societies, totems are represented by either plant or animals, sculptural work, lands...
Kente the pride of Ghana traditional clothing, very colorful, its patterns full of Ghanaian traditio...
Ghanaian culture has a long and proud textile tradition as one of the most significant features. Ken...
Craft production and use are continually adapting to meet the needs of consumers and the market in o...
Kente is a traditional ceremonial strip-woven cloth made by the Asante and Ewe people of Ghana and T...
Adinkra and kente cloth have changed significantly in the course of their history first as markers o...
The project seeks to explore and reflect on the potential of the global commercial application of in...
Traditional institutions in Ghana present themselves with Clothes that are symbolic and portray the ...
In the African society, the art and life of the people symbiotically reflect each other. African art...
In this study I examine changes that have taken place in several distinct traditions of Ewe weaving ...
Indigenous Ghanaian woven fabrics remain traditional cultural pieces, highlighting the value and her...
The socio-cultural symbolisms and aesthetics of the Ghanaian kente cloth has for years gained respec...
Strip weaving in Ghana has been an art in transition and has been handed over from generation to gen...
Asante Kente is a richly coloured, intricately patterned indigenous hand woven fabric that is typica...
This paper investigated into the philosophical and historical representations of the celebrated Adin...
In the Ghanaian societies, totems are represented by either plant or animals, sculptural work, lands...
Kente the pride of Ghana traditional clothing, very colorful, its patterns full of Ghanaian traditio...
Ghanaian culture has a long and proud textile tradition as one of the most significant features. Ken...
Craft production and use are continually adapting to meet the needs of consumers and the market in o...
Kente is a traditional ceremonial strip-woven cloth made by the Asante and Ewe people of Ghana and T...
Adinkra and kente cloth have changed significantly in the course of their history first as markers o...
The project seeks to explore and reflect on the potential of the global commercial application of in...
Traditional institutions in Ghana present themselves with Clothes that are symbolic and portray the ...
In the African society, the art and life of the people symbiotically reflect each other. African art...
In this study I examine changes that have taken place in several distinct traditions of Ewe weaving ...