International audienceHaptics, the technology which brings tactile or force-feedback to users, has a great potential for enhancing movies and could lead to new immersive experiences. In this paper we introduce \textit{Haptic Cinematography} which presents haptics as a new component of the filmmaker's toolkit. We propose a taxonomy of haptic effects and we introduce novel effects coupled with classical cinematographic motions to enhance video viewing experience. More precisely we propose two models to render haptic effects based on camera motions: the first model makes the audience feel the motion of the camera and the second provides haptic metaphors related to the semantics of the camera effect. Results from a user study suggest that these...
Karafotias G, Teranishi A, Korres G, Eyssel FA, Copti S, Eid M. Intensifying Emotional Reactions via...
Information and documentation of the learning process of the Haptic Theater of Cruelty GROCS project...
AbstractThis is an exploratory work aimed at enhancing mood music in film entertainment. We present ...
International audienceHaptics, the technology which brings tactile or force-feedback to users, has a...
Haptic technology, stimulating the sense of touch, is used for years in virtual reality and teleoper...
International audienceThis work aims at enhancing a classical video viewing experience by introducin...
International audienceThe HapSeat is a novel and inexpensive approach for simulating motion sensatio...
International audienceHaptic and motion effects have been widely used for virtual reality applicatio...
International audienceHaptic technology has been widely employed in applications ranging from teleop...
International audienceThe HapSeat is a novel approach for simulating motion sensations in a consumer...
Common thought about cinema calls to mind an audience seated in a darkened theatre watching projecte...
`Seeing is believing, but feeling is the truth''. This idiom from the seventeenth century English cl...
Images and video that served as inspiration for the Haptic Theater of Cruelty installation in the Du...
The haptic perception claims a central place in the interactive experience. The interactive art is t...
Karafotias G, Teranishi A, Korres G, Eyssel FA, Copti S, Eid M. Intensifying Emotional Reactions via...
Information and documentation of the learning process of the Haptic Theater of Cruelty GROCS project...
AbstractThis is an exploratory work aimed at enhancing mood music in film entertainment. We present ...
International audienceHaptics, the technology which brings tactile or force-feedback to users, has a...
Haptic technology, stimulating the sense of touch, is used for years in virtual reality and teleoper...
International audienceThis work aims at enhancing a classical video viewing experience by introducin...
International audienceThe HapSeat is a novel and inexpensive approach for simulating motion sensatio...
International audienceHaptic and motion effects have been widely used for virtual reality applicatio...
International audienceHaptic technology has been widely employed in applications ranging from teleop...
International audienceThe HapSeat is a novel approach for simulating motion sensations in a consumer...
Common thought about cinema calls to mind an audience seated in a darkened theatre watching projecte...
`Seeing is believing, but feeling is the truth''. This idiom from the seventeenth century English cl...
Images and video that served as inspiration for the Haptic Theater of Cruelty installation in the Du...
The haptic perception claims a central place in the interactive experience. The interactive art is t...
Karafotias G, Teranishi A, Korres G, Eyssel FA, Copti S, Eid M. Intensifying Emotional Reactions via...
Information and documentation of the learning process of the Haptic Theater of Cruelty GROCS project...
AbstractThis is an exploratory work aimed at enhancing mood music in film entertainment. We present ...