The article discusses the coat of arms of Ivan Tomko Mrnavić as a visual sign of his self-presentation. Examples of Mrnavić’ s coat of arms are presented and the contexts of their use interpreted, such as frontispieces, title pages, or seals. Finally, the origin, shape, and meaning of Mrnavić’ s coat of arms is interpreted in relation to his self-fashioned identity as a nobleman, as well as his political views on a possible post-Ottoman state in the region
Straipsnyje analizuojama Žemaitijos bajorų Gruževskių heraldika XVI–XVIII a. ir jos aktualizavimas X...
The appearance of the Illyrian Armorial in the late sixteenth century has been linked to Petar Iv...
This article focuses on Baroque heraldry, specifically the phenomenon of galleries of coats of arms ...
The article discusses the coat of arms of Ivan Tomko Mrnavić as a visual sign of his self-presentati...
Apart from more common forms of state aggrandisement, such as official portraiture, grand allegoric...
Previously in the University eprints HAIRST pilot service at http://eprints.st-andrews.ac.uk/archive...
The appearance of the Illyrian Armorial in the late sixteenth century has been linked to Petar Ivelj...
This article examines the genealogical, heraldic and culturalhistorical aspects of the recently onli...
The "Illyrian heraldry", as a phenomenon of the invented tradition, encompasses the rolls of arms - ...
Heraldry of the nobility in the Grand Duchy of Lithuania was affected by several traditions: ancient...
Based on the results of current historiography, primary sources and memoirs of the contemporaries, t...
Pozno srednjeveška družba je v duhu viteštva in križarskih pohodov pričela razvijati rodbinske simbo...
The article addresses the issue of physiognomic individualization that distinguishes portraits of Ku...
Till the democratic changes in the early nineties, the town coats of arms in the Republic of Croatia...
The author of the article Iconographic remarks on the medal by Luis Varoú from the year 1677 (?) com...
Straipsnyje analizuojama Žemaitijos bajorų Gruževskių heraldika XVI–XVIII a. ir jos aktualizavimas X...
The appearance of the Illyrian Armorial in the late sixteenth century has been linked to Petar Iv...
This article focuses on Baroque heraldry, specifically the phenomenon of galleries of coats of arms ...
The article discusses the coat of arms of Ivan Tomko Mrnavić as a visual sign of his self-presentati...
Apart from more common forms of state aggrandisement, such as official portraiture, grand allegoric...
Previously in the University eprints HAIRST pilot service at http://eprints.st-andrews.ac.uk/archive...
The appearance of the Illyrian Armorial in the late sixteenth century has been linked to Petar Ivelj...
This article examines the genealogical, heraldic and culturalhistorical aspects of the recently onli...
The "Illyrian heraldry", as a phenomenon of the invented tradition, encompasses the rolls of arms - ...
Heraldry of the nobility in the Grand Duchy of Lithuania was affected by several traditions: ancient...
Based on the results of current historiography, primary sources and memoirs of the contemporaries, t...
Pozno srednjeveška družba je v duhu viteštva in križarskih pohodov pričela razvijati rodbinske simbo...
The article addresses the issue of physiognomic individualization that distinguishes portraits of Ku...
Till the democratic changes in the early nineties, the town coats of arms in the Republic of Croatia...
The author of the article Iconographic remarks on the medal by Luis Varoú from the year 1677 (?) com...
Straipsnyje analizuojama Žemaitijos bajorų Gruževskių heraldika XVI–XVIII a. ir jos aktualizavimas X...
The appearance of the Illyrian Armorial in the late sixteenth century has been linked to Petar Iv...
This article focuses on Baroque heraldry, specifically the phenomenon of galleries of coats of arms ...