The paper presents 200 newly discovered engravings for the Annales Ferdinandei by Franz Christoph of Khevenhüller from the year 1640. Many of them were made by the Augsburgian engraver Wolfgang Kilian and his company. One of the most productive cooperators of Kilian was Elias Wideman, who from 1646–1652 produced his own portrait books. It can also be proved that Khevenhüller used as models for his portraits the most recent original paintings of the imperial family and the aristocrats
On 12 July 1520, Albrecht Dürer, accompanied by his wife Agnes, left Nuremberg for Antwerp, to obtai...
Woodcut arms of Archduke Ferdinand with griffin supporters at foot of title. Text pages printed in t...
http://www.bibliothek.uni-augsburg.de/dda/dr/hist/we_01060-01074 Mit der kompletten Ausgabe der "Ann...
The paper presents 200 newly discovered engravings for the Annales Ferdinandei by Franz Christoph of...
One of several presentations of the engravings. Plates also used as illustrations in Austria S.R. I...
Diese Arbeit hat zum Ziel die Merkmale der österreichischen und spanischen Hofmalerei zur Zeit der H...
In 1781, the Imperial Librarian and pioneering print scholar Adam von Bartsch edited aportfolio of t...
The collections of the Kórnik Library of the Polish Academy of Sciences include a set of printed tex...
textA scholarly cliché has it that the modern art of portraiture was born in the Renaissance, but s...
Coronation portrait of Ferdinand III from 1626. The Hungarian costume as a tool of power representat...
Portraits, Painters, Patrons. To the 16–17th Century History of Portraiture in Areas of the Hungaria...
The article focuses on the largest surviving ensemble of portraits of lay dignitaries from Slovenian...
The portraits are arranged by the date of cardinals' creation from 11 October 1623 to 21 June 1700, ...
This paper analyses the portraits of Habsburg rulers that were disseminated through different art me...
The article is dedicated to the attribution of two portraits of an unknown German general in the Ts...
On 12 July 1520, Albrecht Dürer, accompanied by his wife Agnes, left Nuremberg for Antwerp, to obtai...
Woodcut arms of Archduke Ferdinand with griffin supporters at foot of title. Text pages printed in t...
http://www.bibliothek.uni-augsburg.de/dda/dr/hist/we_01060-01074 Mit der kompletten Ausgabe der "Ann...
The paper presents 200 newly discovered engravings for the Annales Ferdinandei by Franz Christoph of...
One of several presentations of the engravings. Plates also used as illustrations in Austria S.R. I...
Diese Arbeit hat zum Ziel die Merkmale der österreichischen und spanischen Hofmalerei zur Zeit der H...
In 1781, the Imperial Librarian and pioneering print scholar Adam von Bartsch edited aportfolio of t...
The collections of the Kórnik Library of the Polish Academy of Sciences include a set of printed tex...
textA scholarly cliché has it that the modern art of portraiture was born in the Renaissance, but s...
Coronation portrait of Ferdinand III from 1626. The Hungarian costume as a tool of power representat...
Portraits, Painters, Patrons. To the 16–17th Century History of Portraiture in Areas of the Hungaria...
The article focuses on the largest surviving ensemble of portraits of lay dignitaries from Slovenian...
The portraits are arranged by the date of cardinals' creation from 11 October 1623 to 21 June 1700, ...
This paper analyses the portraits of Habsburg rulers that were disseminated through different art me...
The article is dedicated to the attribution of two portraits of an unknown German general in the Ts...
On 12 July 1520, Albrecht Dürer, accompanied by his wife Agnes, left Nuremberg for Antwerp, to obtai...
Woodcut arms of Archduke Ferdinand with griffin supporters at foot of title. Text pages printed in t...
http://www.bibliothek.uni-augsburg.de/dda/dr/hist/we_01060-01074 Mit der kompletten Ausgabe der "Ann...