Two Faces of the Monument: Politics and Practices in the Usages of the Monument to the Peasant Revolt and Matija Gubec in Gornja Stubica (Translation)

Cilj je članka analizirati Spomenik Seljačkoj buni i Matiji Gupcu u Gornjoj Stubici kao materijalizirano sjećanje na prošlost konstruiranu u skladu s potrebama sadašnjosti. Spomeniku se pristupa iz perspektive ljudi koji ga na raznorodne načine koriste i oživljavaju, pri čemu je naglasak na njihovim kulturnim praksama u prostoru spomenika. Među nizom mogućih pogleda na Spomenik i izvedbe koje ga prate, autori se usmjeravaju na njegova dva lica, koja se odnose na dva povijesna trenutka, ali i dva različita modusa sjećanja. Jedno je povezano s kontekstom nastanka spomenika i njegovim komemorativnim i obljetničkim upotrebama u socijalizmu. Drugo lice dolazi do izražaja u 21. stoljeću kada se slike prošlosti utjelovljuju i uprizoruju u izvedbama oživljene povijesti.The aim of the paper is to analyze the monument to the Peasant Revolt and Matija Gubec in Gornja Stubica as materialised memory of the past constructed in relation to present-day circumstances. The monument is approached through the prism of people who use it and bring it to life in diverse ways, with the emphasis on their cultural practices and performances in the memorial space. Out of a number of potential approaches to the Monument, the authors focus on its two faces, related to two historical moments, but also two different modes of memory. One is connected with the construction of the monument and its commemorative and anniversary usages in socialism. The other is created in the 21st century, when images of the past also become embodied in living history performances