Nemčić and theatre art

U članku sam obradio Nemčićev odnos prema hrvatskom kazalištu. U prvom dijelu istražio sam književne kritike Nemčićeve komedije Kvas bez kruha, počevši od 1854. godine, kada je objavljena, do današnjih dana. Isto tako, u članku sam nastojao ukazati na Nemčićevo mjesto u povijesti hrvatske drame. Također sam iznio i kritike o toj Nemčićevoj komediji. U drugom sam, pak, dijelu prikazao izvođenje te Nemčićeve komedije u hrvatskim kazalištima i naveo kazališne kritike, koje su objavljene u novinama i časopisima. U istom dijelu članka, i to po prvi puta dosad, popisao sam sve izvedbe komedije Kvas bez kruha, kao i sve kazališne kritike koje su zapisane o toj komediji. Dakle, u članku sam dao cjeloviti prikaz Nemčićeva odnosa prema kazalištu i njegova doprinosa hrvatskoj dramskoj umjetnosti.In this article I elaborated on Nemčić’s attitude towards the Croatian theatre. In the first part of the article I researched literary criticisms of Nemčić’s comedy Kvas bez kruha (Leaven without bread) that were written in the period from 1854, when the comedy was first published, until the present day. Furthermore, in this paper I intended to shed light on Nemčić’s place in the history of Croatian drama. I also provided a critical assessment of the respective comedy of Nemčić. In the second part of the article I presented the performance of the aforementioned Nemčić’s comedy in Croatian theatres, providing reference of theatre reviews published in newspapers and magazines. In the same part of the article I have, for the first time, listed all the performances of the comedy Kvas bez kruha (Leaven without bread), as well as all theatre reviews that were published about the respective comedy. Therefore, this article provides a complete outline of Nemčić’s attitude towards the theatre and his contribution to the Croatian drama art