Add to ORKGThe paper explains two curatorial concepts that propose viable strategies for exhibiting new media art by presenting two exhibitions of ArtNetLab group as corresponding experimental case studies: Algorithms of Inclusion and Le Génie des Jardins. An aspect of the transformed relation to reality as a consequence of technological innovation is set for each model as the theme that a selection of new media art works reflects upon by building interactive functional communication models
The Museum is part of a ubiquitous framing of cultural production and a common, urban (political) sp...
Whereas many good things can be said about the ability of digital media to facilitate creative trans...
Histories of Interactive New Media Art Exhibitions How can a history of exhibitions inform curat...
The paper explains two curatorial concepts that propose viable strategies for exhibiting new media a...
This article is an overview of preliminary research undertaken for the creation of a framework for c...
The book addresses the challenges of preserving and exhibiting media art drawings on theory and inst...
The book addresses the challenges of preserving and exhibiting media art drawings on theory and inst...
The book addresses the challenges of preserving and exhibiting media art drawings on theory and inst...
The purpose of this thesis is to demonstrate that new media has been a driver of change in the arts ...
What is the role of the curator when organizing digital art exhibitions in offline and online spaces...
As curator Steve Dietz has observed, new media art is like contemporary art—but different. New media...
The phenomenon of using digital materials provokes a democratization of access to primary sources, t...
As curator Steve Dietz has observed, new media art is like contemporary art—but different. New media...
As curator Steve Dietz has observed, new media art is like contemporary art—but different. New media...
In this paper we will be examining the relevance of interactivity, locativity and visualization to t...
The Museum is part of a ubiquitous framing of cultural production and a common, urban (political) sp...
Whereas many good things can be said about the ability of digital media to facilitate creative trans...
Histories of Interactive New Media Art Exhibitions How can a history of exhibitions inform curat...
The paper explains two curatorial concepts that propose viable strategies for exhibiting new media a...
This article is an overview of preliminary research undertaken for the creation of a framework for c...
The book addresses the challenges of preserving and exhibiting media art drawings on theory and inst...
The book addresses the challenges of preserving and exhibiting media art drawings on theory and inst...
The book addresses the challenges of preserving and exhibiting media art drawings on theory and inst...
The purpose of this thesis is to demonstrate that new media has been a driver of change in the arts ...
What is the role of the curator when organizing digital art exhibitions in offline and online spaces...
As curator Steve Dietz has observed, new media art is like contemporary art—but different. New media...
The phenomenon of using digital materials provokes a democratization of access to primary sources, t...
As curator Steve Dietz has observed, new media art is like contemporary art—but different. New media...
As curator Steve Dietz has observed, new media art is like contemporary art—but different. New media...
In this paper we will be examining the relevance of interactivity, locativity and visualization to t...
The Museum is part of a ubiquitous framing of cultural production and a common, urban (political) sp...
Whereas many good things can be said about the ability of digital media to facilitate creative trans...
Histories of Interactive New Media Art Exhibitions How can a history of exhibitions inform curat...