The Renaissance Art of Dialog: Miho Monaldi, The Treatise on Beauty

U članku se analiziraju filozofsko-estetičke ideje, stajališta i nazori dubrovačkog renesansnog filozofa, pjesnika i pisca Mihe Monaldija (1540–1592) u kontekstu struja i tendencija u filozofiji i književnosti 16. stoljeća. Uz filozofsko-estetičku dimenziju, razmatraju se i stilsko-formalne i idejno-motivičke odrednice njegove estetičke rasprave (dijaloga) »Irene overo della bellezza« u obzoru europske i domaće dijaloške tradicije. Utvrđuje se mjesto, značenje i narav Monaldijevog dijaloškog modela, podudarnosti i razlike njegova modela i nekih filozofskih pisaca tog doba (Petrić, Gučetić, Castelvetro, i dr.).The paper analyses the philosophical-esthetic ideas and views of the Renaissance philosopher, poet, and author Miho Monaldi from Dubrovnik (1540–1592) in the context of the trends and tendencies in the sixteenth-century philosophy and literature. The authoress analyses the philosophical-esthetic dimensions and the ideational-motivational characteristics of Monaldi’s esthetic treatise (dialog) »Irene overo della bellezza« in the context of European and domestic dialog tradition. The position, significance, and nature of Monaldi’s model of the dialog are defined, as well as the similarities and differences of the model in relation to several other philosophical authors of the period (Petrić, Gučetić, Castelvetro, and others)