The birth oj Europe outojthe špirit oj catholicism and the haeretics

Ovaj prilog Je analiza srednjovjekovne kulture koja je počela onda kad je Karlo Veliki pozvao redovnika Alkuina da postane praeceptor na njegovom dvoru. Alkuin je tako postao upraviteljem dvora pa je vodio svečanosti, a temeljni elementi svečanosti bili su književnost, glazba i plastične umjetnosti koje nisu bile razdvojene. Ovaj prilog objašnjava antropološki ulogu svečanosti koja je igrala znatnu ulogu i u animističkom društvu. Kad se na dvoru pojavio praeceptor, dvor je postao kulturna ustanova, a kultura sredstvo politike i uprave. Bogoslovlje krivovjeraca bilo je počelo načela svjetovnosti na dvorovima, a čedna i produhovljena ljubav vitezova potječe od bogoslovlja krivovjeraca koji su tjelesnu ljubav odbacivali u svim oblicima, pa čak i u braku. Drugi dio ovog priloga bavi se analizom djela sv. Ivana od Križa i svete Tereze Avilske, koji su pisali apstraktnim stilom, vrlo bliskim suvremenoj književnosti po strukturi, ali ne po bogoslovnom sadržaju. Konačno, ovaj prilog upozorava na autobiografiju koju je stvorio sv. Augustin sa svojim "Confessiones" i na vrlo veliki utjecaj koji je autobiografija izvršila na roman od XVIII. st.This article is an examination of Mediaeval culture which was built up by the Church when Charles the Great appointed the monc Alkuin to vest the power of his praeceptor. Alkuin led and presided the feasts of the court and the ćore elements of these feasts were literature, music and fine arts. This article looks for an anthropological explanation of the feast, which played a main role also in the animist society. With the assumption of the praeceptor as the manager of the court the court was turned into a cultural institute which played an important role in politics and the administration. The theology of the haeretcs built up the laicism of the knights, the chaste and spiritualized love of the knights stems from the theology of these haeretics as the haeretics condemn every form of intercourse, even matrimonial intercourse. The second part of this article is an examination of the works of St. John of the Cross and Santa Teresa from Avila who wrote an abstract style akin to modern poetry for its structure but not for the theological contents. Finally this article draws the attention of the reader to the fact that the autobiography was created for literature by St. Augustin, who wrote his Confessiones. The authobiography assumed an enormous influence to the novel since the XVIIIth Century