International audienceThe use of technique is usually considered in European megalithic art as an indicator of the level of culture sophistication attained by a particular community. Traditionally, it was considered that only the Iberian Peninsula is home to painted dolmens. The analysis of chamber H of the Barnenez tumulus together with some information scattered over the continent, prove that painting was part of the graphic programs in the most archetypal Atlantic sites, such as Brittany. A highly rewarding panorama appears for European megalithic art with potential new readings. The most suitable method of detecting paintings and interpreting them in funerary contexts must be reviewed
International audienceThe megalithic monuments of Europe are some of the oldest in the world. Despit...
The present contribution is above all a reasoned inventory of testimonies of megalithic art in Aquit...
Session XXXII-3. Pre and protohistoric stone architectures: comparisons of the social and technical ...
International audienceThe use of technique is usually considered in European megalithic art as an in...
The use of technique is usually considered in European megalithic art as an indicator of the level o...
International audienceMegalithic art is a well-known feature of the Neolithic chambered tombs of Atl...
Actes du colloque international de Rennes, IVth Meeting of the European Megalithic Studies Group, ma...
In connection with the question of mobility and contacts between Magdalenian societies, this paper p...
This paper explores how megalithic art may have been viewed during a period when Neolithic monuments...
International audienceThe history of research on the Neolithic of the Atlantic façade shows how spec...
From the mid-1990s we have seen substantial changes in the way knowledge is produced in rock art res...
Trabajo presentado en la 26th Virtual Annual Meeting of the European Association of Archaeologists (...
International audienceThe megalithic monuments of Britain and Ireland provide a case study in the cu...
Abstract: This paper discusses briefly certain concepts as: prehistoric art, the megalithic phenomen...
International audienceThe megalithic monuments of Europe are some of the oldest in the world. Despit...
The present contribution is above all a reasoned inventory of testimonies of megalithic art in Aquit...
Session XXXII-3. Pre and protohistoric stone architectures: comparisons of the social and technical ...
International audienceThe use of technique is usually considered in European megalithic art as an in...
The use of technique is usually considered in European megalithic art as an indicator of the level o...
International audienceMegalithic art is a well-known feature of the Neolithic chambered tombs of Atl...
Actes du colloque international de Rennes, IVth Meeting of the European Megalithic Studies Group, ma...
In connection with the question of mobility and contacts between Magdalenian societies, this paper p...
This paper explores how megalithic art may have been viewed during a period when Neolithic monuments...
International audienceThe history of research on the Neolithic of the Atlantic façade shows how spec...
From the mid-1990s we have seen substantial changes in the way knowledge is produced in rock art res...
Trabajo presentado en la 26th Virtual Annual Meeting of the European Association of Archaeologists (...
International audienceThe megalithic monuments of Britain and Ireland provide a case study in the cu...
Abstract: This paper discusses briefly certain concepts as: prehistoric art, the megalithic phenomen...
International audienceThe megalithic monuments of Europe are some of the oldest in the world. Despit...
The present contribution is above all a reasoned inventory of testimonies of megalithic art in Aquit...
Session XXXII-3. Pre and protohistoric stone architectures: comparisons of the social and technical ...