Odnos pjevača i publike

Okosnica ovog rada je prikaz publike kao sastavnice koncertnog ili opernog nastupa te važnost te spoznaje kod pripreme pjevača za nastup. Argumenti su pri tome da glazbeno djelo nastaje tek pred svjedocima, odnosno publikom te njihovim intelektualnim i emocionalnim proživljavanjem prezentiranog. Nadalje opisujemo na koje načine publika može utjecati na izvođača, a time i na samu izvedbu svojom prisutnošću, reakcijama i stavom. Na kraju rada se osvrćemo na pripremu nastupa za publiku od odabira repertoara preko učenja, izvježbavanja, interpretiranja i na kraju umjetničkog usavršavanja izvedbe do samog nastupa.The backbone of this work is the display of the audience as a component of a concert or opera performance and the importance of this premise in preparing the singer for the performance. The arguments are that the musical work is created only in front of witnesses, that is the audience and their intellectual and emotional experience of presentation of the musical composition(s). Further we describe the ways in which the audience can influence the performer, and thus the performance itself through their presence, reactions, and attitude. At the end of this work we look at the preparation of the performance for the audience thorugh the selection of the repertoire, learning, rehearsal, interpretation and finally the artistic improvement of the performative abilities for the performance itself