Add to ORKGWhen We Were There is a collaborative sequence of short prose-poem haibun whose subject is ostensibly the 40 cities of their titles. Unlike most gazetteers, however, they are not about the architecture, geography or history of a place but are personal responses which implicitly consider how we relate to and interpret the places we visit, remember, travel through or around. The Quint: an interdisciplinary quarterly from the north will publish a selection of work from our collaborative gazettee
It is common to hear that travelling changes people, often for the better, but what are tangible way...
This introductory paper offers a framing of writing (in) the city as a way of making and knowing cit...
Physiognomy: what does the city we are creating say about who and where we are and what we do? How w...
When We Were There is a collaborative sequence of short prose-poem haibun whose subject is ostensibl...
Few things are more unpredictable than the convergence of people, landscape and memory. Often, the m...
In writing “Not in the Legends”, one of the images and concepts which constantly returned was that o...
The city as a distancing of people, a coming together of people, a coming apart and together of self...
Editor’s note: We present here two reections on practicing in a large city environment— one in New Y...
This thesis attempts to develop our understanding of British travel writing on early twentieth centu...
[[abstract]]There is an indivisible relationship among time, space, and memory, all of which coexist...
A list of city names is enough to evoke the wonder of travel. “Trieste, Zurich, Paris.”—the closing ...
North Volume Two reflects our belief in photography as a relevant tool for exploring our ever-changi...
First paragraph: SHEPHERD. … Just suppose yoursel speakin to some stranger or ither frae England, co...
WALKING CITIES: LONDON explores how the temporal and spatial realities experienced through urban wal...
A descriptive piece written to reflect on my complex personal relationship to the city which has ado...
It is common to hear that travelling changes people, often for the better, but what are tangible way...
This introductory paper offers a framing of writing (in) the city as a way of making and knowing cit...
Physiognomy: what does the city we are creating say about who and where we are and what we do? How w...
When We Were There is a collaborative sequence of short prose-poem haibun whose subject is ostensibl...
Few things are more unpredictable than the convergence of people, landscape and memory. Often, the m...
In writing “Not in the Legends”, one of the images and concepts which constantly returned was that o...
The city as a distancing of people, a coming together of people, a coming apart and together of self...
Editor’s note: We present here two reections on practicing in a large city environment— one in New Y...
This thesis attempts to develop our understanding of British travel writing on early twentieth centu...
[[abstract]]There is an indivisible relationship among time, space, and memory, all of which coexist...
A list of city names is enough to evoke the wonder of travel. “Trieste, Zurich, Paris.”—the closing ...
North Volume Two reflects our belief in photography as a relevant tool for exploring our ever-changi...
First paragraph: SHEPHERD. … Just suppose yoursel speakin to some stranger or ither frae England, co...
WALKING CITIES: LONDON explores how the temporal and spatial realities experienced through urban wal...
A descriptive piece written to reflect on my complex personal relationship to the city which has ado...
It is common to hear that travelling changes people, often for the better, but what are tangible way...
This introductory paper offers a framing of writing (in) the city as a way of making and knowing cit...
Physiognomy: what does the city we are creating say about who and where we are and what we do? How w...