Add to ORKGYouTube has afforded new ways of documenting, performing and circulating musical creativity. This first sustained exploration of YouTube and music shows how record companies, musicians and amateur users have embraced YouTube's potential to promote artists, stage performances, build artistic (cyber)identity, initiate interactive composition, refresh music pedagogy, perform fandom, influence musical tourism and soundtrack our everyday lives. Speaking from a variety of perspectives, musicologists, film scholars, philosophers, new media theorists, cultural geographers and psychologists use case studies to situate YouTube as a vital component of contemporary musical culture. This book works together with its companion text Remediating Sound: Rep...
YouTube has grown into an unprecedented music industry where informal learning practices converge am...
YouTube, Facebook, MySpace, and other websites that contain user-generated content (UGC) have become...
YouTube was launched in 2005 as a site for people to share their home videos, but has expanded to b...
Remediating Sound studies the phenomena of remixing, mashup and recomposition: forms of reuse and sa...
YouTube is one of the most well-known and widely discussed sites of participatory media in the conte...
Since launching as a website for everyday video-sharing in 2005, YouTube has become one of the world...
The video-sharing website “YouTube” is a new televisual medium that is fundamentally different from ...
This chapter introduces the relationships, antagonisms and interactions between YouTube and musical ...
The connections between musical cultures and visual cultures are fundamental to an understanding of ...
YouTube has come to epitomize the possibilities of digital culture. With more than seventy million u...
YouTube has come to epitomize the possibilities of digital culture. With more than seventy million u...
YouTube has come to epitomize the possibilities of digital culture. With more than seventy million u...
In the age of the internet and with the dramatic proliferation of mobile listening technologies, mus...
This chapter sets out the debates about the changing role of audiences in relation to user-created c...
Alors qu’un ensemble de discours sociaux et académiques s’intéressent aux conséquences de la numéris...
YouTube has grown into an unprecedented music industry where informal learning practices converge am...
YouTube, Facebook, MySpace, and other websites that contain user-generated content (UGC) have become...
YouTube was launched in 2005 as a site for people to share their home videos, but has expanded to b...
Remediating Sound studies the phenomena of remixing, mashup and recomposition: forms of reuse and sa...
YouTube is one of the most well-known and widely discussed sites of participatory media in the conte...
Since launching as a website for everyday video-sharing in 2005, YouTube has become one of the world...
The video-sharing website “YouTube” is a new televisual medium that is fundamentally different from ...
This chapter introduces the relationships, antagonisms and interactions between YouTube and musical ...
The connections between musical cultures and visual cultures are fundamental to an understanding of ...
YouTube has come to epitomize the possibilities of digital culture. With more than seventy million u...
YouTube has come to epitomize the possibilities of digital culture. With more than seventy million u...
YouTube has come to epitomize the possibilities of digital culture. With more than seventy million u...
In the age of the internet and with the dramatic proliferation of mobile listening technologies, mus...
This chapter sets out the debates about the changing role of audiences in relation to user-created c...
Alors qu’un ensemble de discours sociaux et académiques s’intéressent aux conséquences de la numéris...
YouTube has grown into an unprecedented music industry where informal learning practices converge am...
YouTube, Facebook, MySpace, and other websites that contain user-generated content (UGC) have become...
YouTube was launched in 2005 as a site for people to share their home videos, but has expanded to b...