Today art can be made of anything, put together with anything, in the service of presenting any ideas whatever. That puts great interpretative pressures on viewers to grasp the way the spirit of the artist undertook to present the ideas that concerned her or him. The embodiment of ideas or meanings is perhaps all we require as a philosophical theory of what art is. But doing the criticism that consists in finding the way the idea is embodied varies from work to work. No hay reglas en las artes
Stanley Cavell and Thierry de Duve have independently proposed that judgments of the type “This is a...
After initially framing the contemporary crisis of art criticism in neo-Adornian terms, the article ...
This paper argues that within the class of aesthetic judgments, interesting variations occur dependi...
Today art can be made of anything, put together with anything, in the service of presenting any idea...
In a famous passage in the Critique of the Power of Judgement, Kant calls the “spirit” an animating ...
It has always been a matter of curiosity what kind of information art, which is far from ordinary an...
This paper calls into question the view typically attributed to Kant that aesthetic judgements are p...
Considerations upon the awareness that previously had been identified as the power of God's creation...
My intention is to show that, starting from an empiricist philosophy of mind, it is possible to give...
Works of art can be described as narratives in shorthand where tangled mass of meaning and relations...
The first part of the following text does make the map of an answer to the question of knowing if an...
How to judge works of art? Contemporary echoes of Kantien aesthetics In the early 1990s, the Esprit ...
RESUMEN: La fortaleza del pensamiento kantiano reside en la comprensión y la salvaguarda del enigma...
Probably the fundamental issue about the relation between art and beauty in the Critique of the Powe...
The article deals with the problem of whether Kant’s conception of fine art, as it is presented in t...
Stanley Cavell and Thierry de Duve have independently proposed that judgments of the type “This is a...
After initially framing the contemporary crisis of art criticism in neo-Adornian terms, the article ...
This paper argues that within the class of aesthetic judgments, interesting variations occur dependi...
Today art can be made of anything, put together with anything, in the service of presenting any idea...
In a famous passage in the Critique of the Power of Judgement, Kant calls the “spirit” an animating ...
It has always been a matter of curiosity what kind of information art, which is far from ordinary an...
This paper calls into question the view typically attributed to Kant that aesthetic judgements are p...
Considerations upon the awareness that previously had been identified as the power of God's creation...
My intention is to show that, starting from an empiricist philosophy of mind, it is possible to give...
Works of art can be described as narratives in shorthand where tangled mass of meaning and relations...
The first part of the following text does make the map of an answer to the question of knowing if an...
How to judge works of art? Contemporary echoes of Kantien aesthetics In the early 1990s, the Esprit ...
RESUMEN: La fortaleza del pensamiento kantiano reside en la comprensión y la salvaguarda del enigma...
Probably the fundamental issue about the relation between art and beauty in the Critique of the Powe...
The article deals with the problem of whether Kant’s conception of fine art, as it is presented in t...
Stanley Cavell and Thierry de Duve have independently proposed that judgments of the type “This is a...
After initially framing the contemporary crisis of art criticism in neo-Adornian terms, the article ...
This paper argues that within the class of aesthetic judgments, interesting variations occur dependi...