The article presents and discusses some of the proposals of German theater thinker Georg Fuchs (1868-1949) contained in his book The revolution of the theater: conclusions about the Munich Artists’ Theater, published in 1909. Some of Fuch’s interlocutors during his process of creating the theater are presented. As a central axis, the discussion identifies in each of Fuchs’ aesthetic proposals his perspective of understanding art based on the role it should play in society. We thus seek to not only to identify Fuchs’ aesthetic proposals, but also to emphasize, in addition to them, his political objectives
The article examines eighteenth and nineteenth century posters produced or commissioned by the Germa...
This dissertation examines the renovation of the modernist stage, from the beginning of the twentiet...
This thesis investigates the debate in early twentieth-century Germany about the place of the artist...
The article presents and discusses some of the proposals of German theater thinker Georg Fuchs (1868...
O artigo apresenta e discute algumas das propostas do pensador do teatro alemão Georg Fuchs (1868-19...
The article examines “theater” as a cultural and artistic universal that served as a means ofThe art...
In May 1908 the Künstlertheater in Munich first opened its doors to the public. The new theatre had ...
Theatre constitutes a form of collective creativity. This idea is not as self-evident as one might e...
This article deals with the present situation of the theaters in Germany. On the one hand, the theat...
The article is about mediating an involvement in the development of the Rosswald Castle Theater betw...
Der Mainzer Theaterwissenschaftler Patrick Primavesi untersucht in seiner Habilitation, wie Festvors...
The Weimar Republic was a unique period of German history because of the situation in which competin...
In the works of many nineteenthcentury European writers and artists there is an increased awareness ...
D.Litt. et Phil.During the last half of the Twenties a widespread movement developed in the theatre ...
Heinz-Uwe Haus (b. 1942), trained in the former German Democratic Republic as an actor and theatre d...
The article examines eighteenth and nineteenth century posters produced or commissioned by the Germa...
This dissertation examines the renovation of the modernist stage, from the beginning of the twentiet...
This thesis investigates the debate in early twentieth-century Germany about the place of the artist...
The article presents and discusses some of the proposals of German theater thinker Georg Fuchs (1868...
O artigo apresenta e discute algumas das propostas do pensador do teatro alemão Georg Fuchs (1868-19...
The article examines “theater” as a cultural and artistic universal that served as a means ofThe art...
In May 1908 the Künstlertheater in Munich first opened its doors to the public. The new theatre had ...
Theatre constitutes a form of collective creativity. This idea is not as self-evident as one might e...
This article deals with the present situation of the theaters in Germany. On the one hand, the theat...
The article is about mediating an involvement in the development of the Rosswald Castle Theater betw...
Der Mainzer Theaterwissenschaftler Patrick Primavesi untersucht in seiner Habilitation, wie Festvors...
The Weimar Republic was a unique period of German history because of the situation in which competin...
In the works of many nineteenthcentury European writers and artists there is an increased awareness ...
D.Litt. et Phil.During the last half of the Twenties a widespread movement developed in the theatre ...
Heinz-Uwe Haus (b. 1942), trained in the former German Democratic Republic as an actor and theatre d...
The article examines eighteenth and nineteenth century posters produced or commissioned by the Germa...
This dissertation examines the renovation of the modernist stage, from the beginning of the twentiet...
This thesis investigates the debate in early twentieth-century Germany about the place of the artist...