Add to ORKGThis book is an attempt at a new interpretation of Stravinsky's thoughts about music and art, an interpretation made in dialogue with the philosophy of new music and 19th-century artistic ideas. It is also a proposal for a new method of analysing the construction of his musical masterpieces (for example a proposal of new formal sound-units: partons with perceptual invariance), a method in-spired by research into cognitive psychology. Furthermore, in the analysis of Stravinsky's music, the author emphasises its connection with the Eastern and Western traditions of European culture and links with Plato's triad of values
Between 1952 and 1957, Igor Stravinsky surprised the world of music by gradually incorporating seria...
Stephanie Jordan’s Stravinsky Dances: Revisions Across a Century is a work which focuses on Igor Str...
Stravinsky’s struggle with music critics has become legendary. It began early in Stravinsky’s life, ...
This book is an attempt at a new interpretation of Stravinsky’s thoughts about music and art, an int...
Inside radicalism and dramatism of composition as a space of cultural construction, leans toward pri...
Emphasis is placed on the urgency of the problem of human integrity as a cultural and historical fac...
This book undoes 50 years of mythmaking about Stravinsky's life in music.During his spectacular care...
The purpose of the article is to determine the cultural and historical constant of the anthropologic...
Stravinsky's work spanned the major part of the twentieth-century and was engaged with nearly all it...
Includes bibliographical references (pages 133-137)The purpose of this study is to discover, by mean...
The thesis focuses on issues of musical works in musical poetics of Arnold Schönberg and Igor Stravi...
Stravinsky’s work spanned the major part of the twentieth century and engaged with nearly all its pr...
In his most outstanding musical writings, Pierre Souvtchinsky alludes in various ways to a mechanism...
From 1909, Stravinsky manifested a keen interest in composing theatre music, as proves the many and ...
Resumen: Relegado hasta hace pocos años a un segundo plano en la escena cultural del siglo XX, el no...
Between 1952 and 1957, Igor Stravinsky surprised the world of music by gradually incorporating seria...
Stephanie Jordan’s Stravinsky Dances: Revisions Across a Century is a work which focuses on Igor Str...
Stravinsky’s struggle with music critics has become legendary. It began early in Stravinsky’s life, ...
This book is an attempt at a new interpretation of Stravinsky’s thoughts about music and art, an int...
Inside radicalism and dramatism of composition as a space of cultural construction, leans toward pri...
Emphasis is placed on the urgency of the problem of human integrity as a cultural and historical fac...
This book undoes 50 years of mythmaking about Stravinsky's life in music.During his spectacular care...
The purpose of the article is to determine the cultural and historical constant of the anthropologic...
Stravinsky's work spanned the major part of the twentieth-century and was engaged with nearly all it...
Includes bibliographical references (pages 133-137)The purpose of this study is to discover, by mean...
The thesis focuses on issues of musical works in musical poetics of Arnold Schönberg and Igor Stravi...
Stravinsky’s work spanned the major part of the twentieth century and engaged with nearly all its pr...
In his most outstanding musical writings, Pierre Souvtchinsky alludes in various ways to a mechanism...
From 1909, Stravinsky manifested a keen interest in composing theatre music, as proves the many and ...
Resumen: Relegado hasta hace pocos años a un segundo plano en la escena cultural del siglo XX, el no...
Between 1952 and 1957, Igor Stravinsky surprised the world of music by gradually incorporating seria...
Stephanie Jordan’s Stravinsky Dances: Revisions Across a Century is a work which focuses on Igor Str...
Stravinsky’s struggle with music critics has become legendary. It began early in Stravinsky’s life, ...