This paper is about the fashion shift urban Korean women made from the traditional hanbok (한복) to Western-style clothing in the colonial period (1910-1945). In this paper, I argue that urban Korean women shifted their fashion from traditional hanbok (한복) to Western-style clothing because of American missionaries and internal social changes rather than influences from Japan. For this paper, I looked at translated primary sources as I do not read Korean. These sources include magazine articles, cartoons, pictures, interviews with Korean women who were in colonial Korea at some point in their life, and missionary books that were written about colonial Korea. In addition to these, I looked at secondary sources that dealt with Japanese influence...
This paper aims to examine the life, experiences, and limitation of Ch'oe Yŏngsuk, a notable new wom...
Koreański strój tradycyjny – hanbok, jest jednym z najciekawszych elementów rodzimej kultury Półwysp...
The paper diachronically examines the white hanbok as the material and symbolic site of interaction ...
Acknowledgments: The authors thank two anonymous referees for their comments and suggestions. All ph...
The purpose of the study is to analyze the reactions of Korean women who adopted the western-style d...
Abstract: This paper is a comparative research study between Korean and American women's garmen...
Includes bibliographical references (pages 59-60)Five garments were adapted into modern American\ud ...
This thesis analyses the development of traditional Korean women's clothing from the early 19th cent...
This paper examines the development of popular kimono fashion from the late 19th century through the...
The debate on the woman question in Korea can be observed to have its beginnings when Korea was unde...
The early Protestant mission archives on Korea, especially those archives concerning the lives of na...
This thesis investigates the works of contemporary artists from Japan, Shimada Yoshiko and Oh Haji, ...
Korean women are treated as second rate citizens that have to depend on a man for their social statu...
This study is intended to find the perception of those contemporaries and the social evaluations ab...
My dissertation examines Korean women who came to the United States for higher education before Kore...
This paper aims to examine the life, experiences, and limitation of Ch'oe Yŏngsuk, a notable new wom...
Koreański strój tradycyjny – hanbok, jest jednym z najciekawszych elementów rodzimej kultury Półwysp...
The paper diachronically examines the white hanbok as the material and symbolic site of interaction ...
Acknowledgments: The authors thank two anonymous referees for their comments and suggestions. All ph...
The purpose of the study is to analyze the reactions of Korean women who adopted the western-style d...
Abstract: This paper is a comparative research study between Korean and American women's garmen...
Includes bibliographical references (pages 59-60)Five garments were adapted into modern American\ud ...
This thesis analyses the development of traditional Korean women's clothing from the early 19th cent...
This paper examines the development of popular kimono fashion from the late 19th century through the...
The debate on the woman question in Korea can be observed to have its beginnings when Korea was unde...
The early Protestant mission archives on Korea, especially those archives concerning the lives of na...
This thesis investigates the works of contemporary artists from Japan, Shimada Yoshiko and Oh Haji, ...
Korean women are treated as second rate citizens that have to depend on a man for their social statu...
This study is intended to find the perception of those contemporaries and the social evaluations ab...
My dissertation examines Korean women who came to the United States for higher education before Kore...
This paper aims to examine the life, experiences, and limitation of Ch'oe Yŏngsuk, a notable new wom...
Koreański strój tradycyjny – hanbok, jest jednym z najciekawszych elementów rodzimej kultury Półwysp...
The paper diachronically examines the white hanbok as the material and symbolic site of interaction ...