The purpose of this study was to examine the themes and thematic material which Steve Sondheim used in Merrily We Roll Along and any interrelationships of the thematic material which would contribute to musical unity within the show. This thesis topic was chosen in an attempt to provide evidence that, melodically, Sondheim approaches a musical theater score as a single large work rather than as a collection of individual songs. This score was analyzed by identifying all of the primary melodic ideas. These melodic ideas, or themes, were then compared and their usage within the score was studied. From this, three major procedures of thematic unification were identified. First, melodic continuity is supported through the restatement of themes ...
Includes abstract and vita.This dissertation argues that Heinrich Schenker's mature analytical techn...
Includes abstract and vita.This dissertation investigates four of Stephen Sondheim's projects in ord...
Thesis (Ph.D.) - Indiana University, School of Music, 2020Reprises in American musical theatre perfo...
In first section this thesis is trying to explain the definition of "musical" and to sum up the brie...
This dissertation offers a music-theoretic analysis of the musical style of Stephen Sondheim, as sur...
This dissertation offers a music-theoretic analysis of the musical style of Stephen Sondheim, as sur...
Thematic unity in music occurs when elements from a musical idea appear frequently, in significant p...
Thematic unity in music occurs when elements from a musical idea appear frequently, in significant p...
Traditionally, musical theatre has been accepted more as a practical field than an\ud academic one, ...
This study presents research relevant to the performance of four different mezzo-soprano songs from ...
This thesis extends the research done by (among others) David Temperley (2007) and Drew Nobile (2015...
This thesis focuses on Sondheim’s 1979 work, Sweeney Todd, the Demon Barber of Fleet Street (referr...
This thesis focuses on Sondheim’s 1979 work, Sweeney Todd, the Demon Barber of Fleet Street (referr...
This article is primarily made up of an edited transcript of an interview which Stephen Sondheim gav...
Recent musicological output has viewed neither the aesthetic concept of organicism nor the methodolo...
Includes abstract and vita.This dissertation argues that Heinrich Schenker's mature analytical techn...
Includes abstract and vita.This dissertation investigates four of Stephen Sondheim's projects in ord...
Thesis (Ph.D.) - Indiana University, School of Music, 2020Reprises in American musical theatre perfo...
In first section this thesis is trying to explain the definition of "musical" and to sum up the brie...
This dissertation offers a music-theoretic analysis of the musical style of Stephen Sondheim, as sur...
This dissertation offers a music-theoretic analysis of the musical style of Stephen Sondheim, as sur...
Thematic unity in music occurs when elements from a musical idea appear frequently, in significant p...
Thematic unity in music occurs when elements from a musical idea appear frequently, in significant p...
Traditionally, musical theatre has been accepted more as a practical field than an\ud academic one, ...
This study presents research relevant to the performance of four different mezzo-soprano songs from ...
This thesis extends the research done by (among others) David Temperley (2007) and Drew Nobile (2015...
This thesis focuses on Sondheim’s 1979 work, Sweeney Todd, the Demon Barber of Fleet Street (referr...
This thesis focuses on Sondheim’s 1979 work, Sweeney Todd, the Demon Barber of Fleet Street (referr...
This article is primarily made up of an edited transcript of an interview which Stephen Sondheim gav...
Recent musicological output has viewed neither the aesthetic concept of organicism nor the methodolo...
Includes abstract and vita.This dissertation argues that Heinrich Schenker's mature analytical techn...
Includes abstract and vita.This dissertation investigates four of Stephen Sondheim's projects in ord...
Thesis (Ph.D.) - Indiana University, School of Music, 2020Reprises in American musical theatre perfo...