This output consisted of two 90-minute film screenings, accompanied by a presentation. The presentation provided an introduction to the REWINDItalia project, offering an overview of its aims, objectives and outcomes. The first screening programme included a selection of early video works produced in Italy in the 1970s. It opened with Fabio Mauri’s seminal TV happening, "Il televisore che piange", from 1971. The programme continued with a selection of works by Sambin, Ambrosini, Sartorelli and Borsari, produced by Galleria del Cavallino (Venice). This was one of the most significant and renowned early Italian video art production centres, led by Paolo and Gabriella Cardazzo. Some of the works produced by Cavallino were by Yugoslavian artists...
A partire dalla ricostruzione della storia del centro di produzione della galleria del Cavallino di ...
From 1988 to 1991 Sylvano Bussotti took over the artistic direction of the Music Sector of the Bienn...
This paper focused on two recent research projects – both based at DJCAD, University of Dundee – tha...
Presentation and two screening programmes. Presentation as an Introduction to the RewindItalia Resea...
The early international history of video art remains contested and most narratives focus upon a frag...
Published in association with AHRC funded research projects REWIND–Italia Artists Video in Italy in ...
This webpage provides a summary of the REWIND Italia project, which ran from 2011-2014. This was an ...
Italy was a vibrant centre of Video Art production and exhibition throughout the 1970s and 1980s. Th...
Italy was a vibrant centre of Video Art production and exhibition throughout the 1970s and 1980s. Th...
Italy was a vibrant centre of video art production and exhibition throughout the 1970s and 1980s. Th...
6th November – December 18th, 2012.This was the first Swiss show of early British Video since the mi...
In 1976 the fourth Susret u Motovunu (Encounter in Motovun) took place – a key event for the experim...
In Summer 1976 the Fourth Susret u Motovun (Encounter in Motovun) took place. As part of the festiva...
In Summer 1976 the Fourth Susret u Motovun (Encounter in Motovun) took place. As part of the festiva...
The early international history of video art remains contested and most narratives focus upon a frag...
A partire dalla ricostruzione della storia del centro di produzione della galleria del Cavallino di ...
From 1988 to 1991 Sylvano Bussotti took over the artistic direction of the Music Sector of the Bienn...
This paper focused on two recent research projects – both based at DJCAD, University of Dundee – tha...
Presentation and two screening programmes. Presentation as an Introduction to the RewindItalia Resea...
The early international history of video art remains contested and most narratives focus upon a frag...
Published in association with AHRC funded research projects REWIND–Italia Artists Video in Italy in ...
This webpage provides a summary of the REWIND Italia project, which ran from 2011-2014. This was an ...
Italy was a vibrant centre of Video Art production and exhibition throughout the 1970s and 1980s. Th...
Italy was a vibrant centre of Video Art production and exhibition throughout the 1970s and 1980s. Th...
Italy was a vibrant centre of video art production and exhibition throughout the 1970s and 1980s. Th...
6th November – December 18th, 2012.This was the first Swiss show of early British Video since the mi...
In 1976 the fourth Susret u Motovunu (Encounter in Motovun) took place – a key event for the experim...
In Summer 1976 the Fourth Susret u Motovun (Encounter in Motovun) took place. As part of the festiva...
In Summer 1976 the Fourth Susret u Motovun (Encounter in Motovun) took place. As part of the festiva...
The early international history of video art remains contested and most narratives focus upon a frag...
A partire dalla ricostruzione della storia del centro di produzione della galleria del Cavallino di ...
From 1988 to 1991 Sylvano Bussotti took over the artistic direction of the Music Sector of the Bienn...
This paper focused on two recent research projects – both based at DJCAD, University of Dundee – tha...