A paucity of identifiable archaeological material makes it difficult to locate slavery in the archaeological record, but the figurines of slave characters in Roman comedy represent a rich, untapped resource. One character in particular, the ‘clever slave’ (servus callidus), with his devious schemes and sharp wit, captured the imagination of Roman society. This clever slave’s popularity is attested archaeologically, with thousands of charming figurines spanning different time periods and geographical areas of the Classical world. Much discussed in the field of classics, no previous work has been undertaken to examine this character from an archaeological perspective in terms of its societal significance. Slave statuettes have been unearthed ...
Theoretical thesis.Bibliography: pages 117-127.Chapter One. Introduction and literature review -- Ch...
Although slavery was a widely accepted practice throughout the ancient Mediterranean, the Roman syst...
This article focuses on chapter 38 of the Paradoxa, in which Cicero attacks those prominent contempo...
This dissertation examines the often surprising role of the slave characters of Greek Old Comedy in ...
Throughout this contribution, I have used images on Roman discus lamps as evidence to elucidate atti...
How did audiences of ancient Greek comedy react to the spectacle of master and slaves? If they were ...
This thesis examines the ways in which slaves are represented in classical Greek sources. The aim o...
La figure du uicarius, esclave appartenant à un esclave en chef (ordinarius) dans le pécule duquel i...
Roman comedy was a form dominated by stock characters: passionate youths, grumpy\ud old men, and bra...
How did audiences of ancient Greek comedy react to the spectacle of master and slaves? If they were ...
This thesis examines the ways in which slaves are represented in classical Greek sources. The aim of...
Enslavement is an essential element of Roman Comedy. Throughout the genre, both men and women attemp...
The article is devoted to Plautus’ comedy «The Captives». Plautus, like other Roman come...
Often termed the “invisible people,” ancient Roman slaves leave almost no visible footprint in archa...
This paper sets out to provide an overview of the literary, epigraphic and iconographic evidence for...
Theoretical thesis.Bibliography: pages 117-127.Chapter One. Introduction and literature review -- Ch...
Although slavery was a widely accepted practice throughout the ancient Mediterranean, the Roman syst...
This article focuses on chapter 38 of the Paradoxa, in which Cicero attacks those prominent contempo...
This dissertation examines the often surprising role of the slave characters of Greek Old Comedy in ...
Throughout this contribution, I have used images on Roman discus lamps as evidence to elucidate atti...
How did audiences of ancient Greek comedy react to the spectacle of master and slaves? If they were ...
This thesis examines the ways in which slaves are represented in classical Greek sources. The aim o...
La figure du uicarius, esclave appartenant à un esclave en chef (ordinarius) dans le pécule duquel i...
Roman comedy was a form dominated by stock characters: passionate youths, grumpy\ud old men, and bra...
How did audiences of ancient Greek comedy react to the spectacle of master and slaves? If they were ...
This thesis examines the ways in which slaves are represented in classical Greek sources. The aim of...
Enslavement is an essential element of Roman Comedy. Throughout the genre, both men and women attemp...
The article is devoted to Plautus’ comedy «The Captives». Plautus, like other Roman come...
Often termed the “invisible people,” ancient Roman slaves leave almost no visible footprint in archa...
This paper sets out to provide an overview of the literary, epigraphic and iconographic evidence for...
Theoretical thesis.Bibliography: pages 117-127.Chapter One. Introduction and literature review -- Ch...
Although slavery was a widely accepted practice throughout the ancient Mediterranean, the Roman syst...
This article focuses on chapter 38 of the Paradoxa, in which Cicero attacks those prominent contempo...