Though it is a critical commonplace that English revenge tragedy began with Thomas Kyd’s The Spanish Tragedy, there has been little systematic discussion of how revenge fared as a dramatic theme before Kyd’s inaugural work. This essay reexamines the importance of revenge in early Elizabethan drama, by broadly surveying its thematic and rhetorical prominence in the corpus of extant plays that predate Kyd’s tragedy. The prominence of revenge in pre-Kydian drama reveals that The Spanish Tragedy intensifies and systematizes structurally a theme that had for decades already been a well-worn mainstay on the English stage. A study of early dramatic revenge provides the basis for a more contextually sensitive account of revenge tragedy’s origin, a...
Early modern revenge plays explore the underbelly of contemporary discourses on family and state as ...
The Spanish Tragedy, in its original form, was written by Thomas Kyd (1558-94), probably during the ...
This dissertation examines the role of the stage in cultural debate about revenge in early modern En...
Though it is a critical commonplace that English revenge tragedy began with Thomas Kyd’s The Spanish...
The Revenge Play1 in the form Thomas Kyd gave it in The Spanish Tragedy, and in the form used subseq...
The first book-length attempt to set the generic parameters of early modern revenge tragedy was also...
This thesis offers a materialist account of dramatic genre. It shows how English revenge tragedies w...
Early modern English revenge plays often reach a climax when vengeance is carried out in a masque. T...
This dissertation analyzes the effects of publication on Elizabethan and Jacobean drama. The dramati...
This paper examines three of the earliest Elizabethan's revenge tragedies, Thomas Kyd's The Spanish ...
This paper analyzes the origin of the revenge tragedies and the influence of theRoman playwright Sen...
This project explores Renaissance revenge tragedy's conspicuous theatricality in light of the genre'...
Doing Kyd reads Thomas Kyd's The Spanish Tragedy, the box-office and print success of its time, as t...
This Paper examines and tries to explain the problem of vengeance in Shakespeare's play Hamlet. Fir...
This thesis explores how Elizabethan and Jacobean revenge tragedy uses classical models as sources o...
Early modern revenge plays explore the underbelly of contemporary discourses on family and state as ...
The Spanish Tragedy, in its original form, was written by Thomas Kyd (1558-94), probably during the ...
This dissertation examines the role of the stage in cultural debate about revenge in early modern En...
Though it is a critical commonplace that English revenge tragedy began with Thomas Kyd’s The Spanish...
The Revenge Play1 in the form Thomas Kyd gave it in The Spanish Tragedy, and in the form used subseq...
The first book-length attempt to set the generic parameters of early modern revenge tragedy was also...
This thesis offers a materialist account of dramatic genre. It shows how English revenge tragedies w...
Early modern English revenge plays often reach a climax when vengeance is carried out in a masque. T...
This dissertation analyzes the effects of publication on Elizabethan and Jacobean drama. The dramati...
This paper examines three of the earliest Elizabethan's revenge tragedies, Thomas Kyd's The Spanish ...
This paper analyzes the origin of the revenge tragedies and the influence of theRoman playwright Sen...
This project explores Renaissance revenge tragedy's conspicuous theatricality in light of the genre'...
Doing Kyd reads Thomas Kyd's The Spanish Tragedy, the box-office and print success of its time, as t...
This Paper examines and tries to explain the problem of vengeance in Shakespeare's play Hamlet. Fir...
This thesis explores how Elizabethan and Jacobean revenge tragedy uses classical models as sources o...
Early modern revenge plays explore the underbelly of contemporary discourses on family and state as ...
The Spanish Tragedy, in its original form, was written by Thomas Kyd (1558-94), probably during the ...
This dissertation examines the role of the stage in cultural debate about revenge in early modern En...