Minstrels, morris dancers, and players participated in the lively social intercourse of Cornwall in the early modern period, providing entertainment for local festivals and celebrations in exchange for monetary reward. Because many of these groups were locally sponsored by their home parish, town, or village rather than by named patrons, we can determine the troupes' points of origin and begin to assess the routes they may have taken to their destinations. Fifteen record entries in extant documents spanning the years from 1506 to 1596 record twenty-three instances of travel by locally sponsored performers from specifically named locations in Cornwall and Devon. These references provide ample evidence for us to begin tracing the routes taken...
Although the evidence for dramatic performance in early South Wales is spotty at best, the surviving...
This agenda-setting volume on travel and drama in early modern England provides new insights into Re...
The cycle plays are usually taken to be the exemplar form for civic and guild-sponsored drama in cit...
Minstrels, morris dancers, and players participated in the lively social intercourse of Cornwall in ...
Minstrels, morris dancers, and players participated in the lively social intercourse of Cornwall in ...
Minstrels, morris dancers, and players participated in the lively social intercourse of Cornwall in ...
This essay analyzes the southwestern touring circuits used by medieval and Renaissance performers, d...
This essay analyzes the southwestern touring circuits used by medieval and Renaissance performers, d...
This thesis is an analysis of the responses in the early modem period of civic and church authoritie...
Contemporary sources use the word “minstrel” to describe a wide social range of musical entertainers...
This essay looks at travelling players' visits to the Essex town of Maldon. It explores what the his...
This work offers the first book-length study of travelling players in Shakespearean England. The int...
In Tudor and Stuart England performers (either players or fringe entertainers), vagrant and criminal...
For a thousand years after the departure of the Romans in the fifth-century CE no theatres were buil...
Although the evidence for dramatic performance in early South Wales is spotty at best, the surviving...
Although the evidence for dramatic performance in early South Wales is spotty at best, the surviving...
This agenda-setting volume on travel and drama in early modern England provides new insights into Re...
The cycle plays are usually taken to be the exemplar form for civic and guild-sponsored drama in cit...
Minstrels, morris dancers, and players participated in the lively social intercourse of Cornwall in ...
Minstrels, morris dancers, and players participated in the lively social intercourse of Cornwall in ...
Minstrels, morris dancers, and players participated in the lively social intercourse of Cornwall in ...
This essay analyzes the southwestern touring circuits used by medieval and Renaissance performers, d...
This essay analyzes the southwestern touring circuits used by medieval and Renaissance performers, d...
This thesis is an analysis of the responses in the early modem period of civic and church authoritie...
Contemporary sources use the word “minstrel” to describe a wide social range of musical entertainers...
This essay looks at travelling players' visits to the Essex town of Maldon. It explores what the his...
This work offers the first book-length study of travelling players in Shakespearean England. The int...
In Tudor and Stuart England performers (either players or fringe entertainers), vagrant and criminal...
For a thousand years after the departure of the Romans in the fifth-century CE no theatres were buil...
Although the evidence for dramatic performance in early South Wales is spotty at best, the surviving...
Although the evidence for dramatic performance in early South Wales is spotty at best, the surviving...
This agenda-setting volume on travel and drama in early modern England provides new insights into Re...
The cycle plays are usually taken to be the exemplar form for civic and guild-sponsored drama in cit...