Add to ORKGThe project presents a visual description of movie making in the Philippines. It features the production of two directors namely Emmanuel Borlaza and Peque Gallaga. The photographs capture the behind the scenes of two movies, Limang Daliri ng Diyos by Borlaza adn Huwad na Heredera by Gallaga
178 p. ; 20 cm.Microfilm no. 25In Iloko.Novel.Microfilm. Philadelphia, PA. : American Philosophical...
In the Philippines, there are different attitudes that come from different social class, this not on...
The project aims to understand and raise awareness about the power of film to shape geographies and ...
The project presents a visual description of movie making in the Philippines. It features the produc...
This article chronicles the material conditions of producing a film in the Philippine independent fi...
Director of Photography (DOP) adalah seorang yang memiliki konsep dan bertanggung jawab untuk penata...
Visualisasi ide dalam pembuatan sebuah film merupakan hal yang paling utama. Proses pengambilan gam...
The “new cinema” was a loose film movement in the Philippines in the 1970s-80s known for combining n...
This thesis explores how film representation in Philippine cinema constructs the image of Visayan cu...
The movie industries in Indonesia and the Philippines were facing similar challenge during World War...
viii, 239 p. ; 26 cm.Microfilm no. 5Poems.In Cebuano languange.Microfilm. Philadelphia, PA. : Ameri...
39 p. ; 20 cm.Microfilm no. 47.In Cebuano."Pinupo ug hinubad sa nagkalaing-laing mga basahon sa dam...
This essay discusses two examples of contemporary Filipino cinema – The Blossoming of Maximo Olivero...
This book explores the complex interplay of culture and economics in the context of Philippine cinem...
Lewat laporan ini, penulis, sebagai Director of Photography, mendeskripsikan penerapan camerawork pa...
178 p. ; 20 cm.Microfilm no. 25In Iloko.Novel.Microfilm. Philadelphia, PA. : American Philosophical...
In the Philippines, there are different attitudes that come from different social class, this not on...
The project aims to understand and raise awareness about the power of film to shape geographies and ...
The project presents a visual description of movie making in the Philippines. It features the produc...
This article chronicles the material conditions of producing a film in the Philippine independent fi...
Director of Photography (DOP) adalah seorang yang memiliki konsep dan bertanggung jawab untuk penata...
Visualisasi ide dalam pembuatan sebuah film merupakan hal yang paling utama. Proses pengambilan gam...
The “new cinema” was a loose film movement in the Philippines in the 1970s-80s known for combining n...
This thesis explores how film representation in Philippine cinema constructs the image of Visayan cu...
The movie industries in Indonesia and the Philippines were facing similar challenge during World War...
viii, 239 p. ; 26 cm.Microfilm no. 5Poems.In Cebuano languange.Microfilm. Philadelphia, PA. : Ameri...
39 p. ; 20 cm.Microfilm no. 47.In Cebuano."Pinupo ug hinubad sa nagkalaing-laing mga basahon sa dam...
This essay discusses two examples of contemporary Filipino cinema – The Blossoming of Maximo Olivero...
This book explores the complex interplay of culture and economics in the context of Philippine cinem...
Lewat laporan ini, penulis, sebagai Director of Photography, mendeskripsikan penerapan camerawork pa...
178 p. ; 20 cm.Microfilm no. 25In Iloko.Novel.Microfilm. Philadelphia, PA. : American Philosophical...
In the Philippines, there are different attitudes that come from different social class, this not on...
The project aims to understand and raise awareness about the power of film to shape geographies and ...