The Very short story and Reductionism

It managed a very short story, in recent decades, to assume for itself , especially in the narrative arts circle in contemporary Arabic literature, surpassing the problems and questions that coincided with the start of their appearance, such as: the label of conventional, first roots, nationality and identity status (of the facial of sex Literary). The Arab writings in this field are prominent and present in the literary cultural scene in the various Arab countries. This clear development needs, in its continuity and the accuracy of its path, a monetary effort that accompanies it, as other literary races have previously needed such an effort. This study comes to deal with an aspect that may seem closer to the formal form of art, but in fact related to the substantive aspect as well, the reduction aspect of the story is very short, where does this reduction? What are the most prominent manifestations? And how to achieve this writing poetry without leaving it from being a prose? What is its relationship in linking the content and form of the single literary text? These and other questions are being tried in an empirical manner, presenting examples of the very short story in Oman, written by some contemporary writers of the younger generation