Add to ORKGThis thesis is a comparative study of how Shakespeare̕s ideas transcend the boundaries of his own time and still remain as the major sources of inspiration for modern dramatists. Arnold Wesker and Eugéne Ionesco explore the concept of the "other" leading to loss of identity and awareness of non-being embedded in Shakespeare̕s works. The main argument is that the contemporary playwrights reinterpret Shakespeare̕s works in the light of some modern issues and ideas to reveal the entrapment of the individual.M.A. - Master of Art
We know that in the long course of the history of literature the writers who have remained outstandi...
The purpose of this thesis is to examine the dramatic function of the Court Masque in the plays of W...
Literature is always in a state of evolution. Words change; the way writers write changes. Even actu...
This study seeks to examine how Arnold Wesker’s The Merchant (1976) appropriates the canonical Shake...
Shakespeare’s works remain a reference when artists — either playwrights or stage professionals — ai...
Shakespeare’s works remain a reference when artists — either playwrights or stage professionals — ai...
This thesis explores the process wherein the audience either rejects or assimilates new literary ite...
The aim of the thesis is to look at the famous tragedy as a source of inspiration for a theatre play...
Christopher Marlowe’s Edward II and William Shakespeare’s Richard II have many elements in common. T...
Over the course of Shakespeare’s career, plays written for the commercial theatre were increasingly ...
In this thesis, I explore intertextual possibilities in three plays by William Shakespeare in order ...
In this thesis, I explore intertextual possibilities in three plays by William Shakespeare in order ...
This thesis applies a cultural materialist approach to Renaissance conceptions of identity formation...
This thesis applies a cultural materialist approach to Renaissance conceptions of identity formation...
This thesis traces the construction and evolution of the star text of Laurence Olivier as it relates...
We know that in the long course of the history of literature the writers who have remained outstandi...
The purpose of this thesis is to examine the dramatic function of the Court Masque in the plays of W...
Literature is always in a state of evolution. Words change; the way writers write changes. Even actu...
This study seeks to examine how Arnold Wesker’s The Merchant (1976) appropriates the canonical Shake...
Shakespeare’s works remain a reference when artists — either playwrights or stage professionals — ai...
Shakespeare’s works remain a reference when artists — either playwrights or stage professionals — ai...
This thesis explores the process wherein the audience either rejects or assimilates new literary ite...
The aim of the thesis is to look at the famous tragedy as a source of inspiration for a theatre play...
Christopher Marlowe’s Edward II and William Shakespeare’s Richard II have many elements in common. T...
Over the course of Shakespeare’s career, plays written for the commercial theatre were increasingly ...
In this thesis, I explore intertextual possibilities in three plays by William Shakespeare in order ...
In this thesis, I explore intertextual possibilities in three plays by William Shakespeare in order ...
This thesis applies a cultural materialist approach to Renaissance conceptions of identity formation...
This thesis applies a cultural materialist approach to Renaissance conceptions of identity formation...
This thesis traces the construction and evolution of the star text of Laurence Olivier as it relates...
We know that in the long course of the history of literature the writers who have remained outstandi...
The purpose of this thesis is to examine the dramatic function of the Court Masque in the plays of W...
Literature is always in a state of evolution. Words change; the way writers write changes. Even actu...