The article combines Walter Benjamin's concept of the dialectical image and Gilles Deleuze's concept of the time-image to develop an approach to using film as an instrument in historical research.134
In his second book on cinema, Gilles Deleuze outlines several forms of time-image, including the tim...
Nous avons essayé de définir la notion d'image dialectique et la dialectique au sein de cette image ...
By means of Vivian Sobchack's semiotic film phenomenology, we may examine our immediate perceptual a...
The article combines Walter Benjamin's concept of the dialectical image and Gilles Deleuze's concept...
Der Artikel verbindet Walter Benjamins Konzept des dialektischen Bildes und Gilles Deleuze's Konzept...
Exploring the present in form of history: remarks on the emancipatory potential of time-relations in...
(in English): The thesis focuses on therelationbetweenhistory, philosophy and film. Ituses film and ...
FRH/BPD/94290/2013 UID/FIL/00183/2013Although the transition from the movement-image to the time-ima...
Although the transition from the movement-image to the time-image is among the most commented-upon D...
Having achieved a status of a classical philosophical work, Gilles Deleuze’s Cinema 1: The Movement-...
Since their publication, Deleuze’s Cinema 1: The Movement-Image (French 1983, English 1986) and Cine...
Historical film analysis increasingly becomes part of historical and cultural research. The article ...
In the late 1980s, historian Hayden White suggested the possibility of forms of historical thought u...
Deleuze explica el cine a partir de dos nociones claves: imagen-movimiento e imagen-tiempo. Con las ...
Deleuze determines the nature of cinema in terms of two key concepts: image-movement and image-time....
In his second book on cinema, Gilles Deleuze outlines several forms of time-image, including the tim...
Nous avons essayé de définir la notion d'image dialectique et la dialectique au sein de cette image ...
By means of Vivian Sobchack's semiotic film phenomenology, we may examine our immediate perceptual a...
The article combines Walter Benjamin's concept of the dialectical image and Gilles Deleuze's concept...
Der Artikel verbindet Walter Benjamins Konzept des dialektischen Bildes und Gilles Deleuze's Konzept...
Exploring the present in form of history: remarks on the emancipatory potential of time-relations in...
(in English): The thesis focuses on therelationbetweenhistory, philosophy and film. Ituses film and ...
FRH/BPD/94290/2013 UID/FIL/00183/2013Although the transition from the movement-image to the time-ima...
Although the transition from the movement-image to the time-image is among the most commented-upon D...
Having achieved a status of a classical philosophical work, Gilles Deleuze’s Cinema 1: The Movement-...
Since their publication, Deleuze’s Cinema 1: The Movement-Image (French 1983, English 1986) and Cine...
Historical film analysis increasingly becomes part of historical and cultural research. The article ...
In the late 1980s, historian Hayden White suggested the possibility of forms of historical thought u...
Deleuze explica el cine a partir de dos nociones claves: imagen-movimiento e imagen-tiempo. Con las ...
Deleuze determines the nature of cinema in terms of two key concepts: image-movement and image-time....
In his second book on cinema, Gilles Deleuze outlines several forms of time-image, including the tim...
Nous avons essayé de définir la notion d'image dialectique et la dialectique au sein de cette image ...
By means of Vivian Sobchack's semiotic film phenomenology, we may examine our immediate perceptual a...
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