The Cineguf and the Memory of Fascism (1944-1976) wants to get deeper into the complex metabolisation of the traces of the fascist past, for some of the protagonists of the Cineguf era. The article discusses the way some Cineguf members elaborated upon their own experience into the Cineguf groups - a fascist association of amateur film clubs - and how the social and generational developments regarding the film culture impacted onto this cultural and political metabolisation, in post-war Italy. The article proposes to question the various forms of “silence” that characterizes the archival survival of the films produced by the Cineguf and the narratives of the history of the Cineguf as well
The article analyzes the form of social relationship represented in many films of early Neorealism; ...
My dissertation "Beyond Neorealism. Cinema, Biopolitics, and Fascism," stems from a dissatisfaction ...
The concern with the following arguments started during a study of national and international cinema...
Questo articolo analizza la rappresentazione del periodo fascista nella cinematografia italiana e di...
In 1934, Benito Mussolini’s Fascist regime firmly intervened in the crisis of Italian cinema and th...
During the Fascist era in Italy, the state-controlled L’Unione Cinematografica Educativa produced ne...
During the Fascist era in Italy, the state-controlled L'Unione Cinematografica Educativa produced ne...
This article consists of interviews with five world experts on the memory of Fascism. Taking the cen...
This study narrates a history of Italian cinema from 1943 to 1980 by the light of its evolving imagi...
This articles outlines the emergence and transformation of one of the most popular Italian myths ari...
From the first half of the 1930s, at the peak of Fascist regime\u2019s institutionalization of youth...
The evolution of Italian cinema in the first half of the twentieth century is intertwined with the h...
As both classicist and historians have shown, the myth of romanità was one of the key elements at th...
This article aims to expose the political and cultural processes that contributed to the eradication...
In my dissertation, “History as Myth and Memory: Bassani, Ginzburg,Levi, and the Re-membering of Fas...
The article analyzes the form of social relationship represented in many films of early Neorealism; ...
My dissertation "Beyond Neorealism. Cinema, Biopolitics, and Fascism," stems from a dissatisfaction ...
The concern with the following arguments started during a study of national and international cinema...
Questo articolo analizza la rappresentazione del periodo fascista nella cinematografia italiana e di...
In 1934, Benito Mussolini’s Fascist regime firmly intervened in the crisis of Italian cinema and th...
During the Fascist era in Italy, the state-controlled L’Unione Cinematografica Educativa produced ne...
During the Fascist era in Italy, the state-controlled L'Unione Cinematografica Educativa produced ne...
This article consists of interviews with five world experts on the memory of Fascism. Taking the cen...
This study narrates a history of Italian cinema from 1943 to 1980 by the light of its evolving imagi...
This articles outlines the emergence and transformation of one of the most popular Italian myths ari...
From the first half of the 1930s, at the peak of Fascist regime\u2019s institutionalization of youth...
The evolution of Italian cinema in the first half of the twentieth century is intertwined with the h...
As both classicist and historians have shown, the myth of romanità was one of the key elements at th...
This article aims to expose the political and cultural processes that contributed to the eradication...
In my dissertation, “History as Myth and Memory: Bassani, Ginzburg,Levi, and the Re-membering of Fas...
The article analyzes the form of social relationship represented in many films of early Neorealism; ...
My dissertation "Beyond Neorealism. Cinema, Biopolitics, and Fascism," stems from a dissatisfaction ...
The concern with the following arguments started during a study of national and international cinema...