The advent of social media and the ever more sophisticated functionality of our mobile phones have had a profound effect on the way we view and record events. This is particularly true for large gatherings of people. Haidy Geismar, Professor of Anthropology at University College London, explains how it was once possible to ‘choreograph’ an audience, but nowadays the audience choreographs itself, with thousands of simultaneous viewpoints that are disseminated in multiple, personal yet often public ways
The purpose of this study is to investigate if advances in social media and digital technology, hav...
The widespread adoption of social media platforms and other information and communication technology...
Commentary on the recent riots largely reflects ideological differences with political discourse rev...
The article explores crowdsourced practices connected to the spaces of filmic consumption. In order ...
The potential to cultivate new relationships with spectators has long been cited as a primary motiva...
The strand of film studies that engage with the material experience of cinema-going has largely been...
In recent years, the use of smart phones, mobile internet and social media platforms such as Twitter...
Producers, technicians, performers, audiences and critics are all critical components of the\ud perf...
The proliferation of Live Sites, (also known as Public Viewing Areas), designed to expand and extend...
The widespread adoption of social media platforms and other information and communication technology...
The occasional ArtsHub article asking spectators to show respect for stage by switching all devices ...
PhD ThesisRecent years have seen a rise in interest in 'interactive' audiences, with the ongoing spr...
Social media has been growing in importance and public consciousness over the years. The title of th...
13,000 tweets, 430 photos and over 2,000 video views later, Dr Lisa Harris and Nicole Beale have ple...
Audiences are at the heart of every media event. They provide legitimation, revenue and content and ...
The purpose of this study is to investigate if advances in social media and digital technology, hav...
The widespread adoption of social media platforms and other information and communication technology...
Commentary on the recent riots largely reflects ideological differences with political discourse rev...
The article explores crowdsourced practices connected to the spaces of filmic consumption. In order ...
The potential to cultivate new relationships with spectators has long been cited as a primary motiva...
The strand of film studies that engage with the material experience of cinema-going has largely been...
In recent years, the use of smart phones, mobile internet and social media platforms such as Twitter...
Producers, technicians, performers, audiences and critics are all critical components of the\ud perf...
The proliferation of Live Sites, (also known as Public Viewing Areas), designed to expand and extend...
The widespread adoption of social media platforms and other information and communication technology...
The occasional ArtsHub article asking spectators to show respect for stage by switching all devices ...
PhD ThesisRecent years have seen a rise in interest in 'interactive' audiences, with the ongoing spr...
Social media has been growing in importance and public consciousness over the years. The title of th...
13,000 tweets, 430 photos and over 2,000 video views later, Dr Lisa Harris and Nicole Beale have ple...
Audiences are at the heart of every media event. They provide legitimation, revenue and content and ...
The purpose of this study is to investigate if advances in social media and digital technology, hav...
The widespread adoption of social media platforms and other information and communication technology...
Commentary on the recent riots largely reflects ideological differences with political discourse rev...