Pigments from paint palettes and a grindstone excavated from the pharaonic town of Amara West (c. 1300–1050 BCE), which lies between the Second and Third Cataracts of the Nile, were examined using polarized light microscopy, attenuated total reflection Fourier transform infrared spectroscopy (ATR-FTIR), X-ray diffraction, and scanning electron microscopy with energy dispersive X-ray spectroscopy. Most of the pigments were consistent with the typical ancient Egyptian palette, but the greens and some blues were unusual. Two types of green pigment were identified, chlorite (varieties clinochlore and penninite) and copper chloride hydroxide (atacamite type). The former constitutes a type of green earth which has only rarely been identified in p...
We present the multidisciplinary investigation of pigments and artefacts with traces of colour from ...
The Native inhabitants of South Central California produced rock art containing red, orange, black, ...
The focus of this study was analytical investigations of Egyptian paintings, mainly Coptic icons an...
Pigments from paint palettes and a grindstone excavated from the pharaonic town of Amara West (c. 13...
The aim of this study is to characterize pictorial pigments discovered in August 1984 by architects ...
This thesis presents an investigation of the paints used in domestic and funerary contexts in a phar...
Egyptian blue is a copper-based blue pigment that was widely used across the Mediterranean from ca. ...
Only a few scientific evidences for the use of Egyptian blue in Early Medieval wall paintings in Cen...
The presence of a wide number of fragments of blue, red, yellow and green pigments in the collection...
This study provides a new reason for the colour alteration of the first man-made pigments (Egyptian ...
The discussed comparative analyses of Roman Imperial pigment balls and fragmentary murals unearthed ...
New results on the local chemical environment of Cu2+ in archaeological Egyptian blue and green and ...
This paper explores the use of the synthesized pigment Egyptian blue in the encaustic and tempera fu...
The ancient pigment Egyptian blue has long been studied for its historical significance; however, re...
Results are presented from analyses that were conducted to explain the presence of chromium, detecte...
We present the multidisciplinary investigation of pigments and artefacts with traces of colour from ...
The Native inhabitants of South Central California produced rock art containing red, orange, black, ...
The focus of this study was analytical investigations of Egyptian paintings, mainly Coptic icons an...
Pigments from paint palettes and a grindstone excavated from the pharaonic town of Amara West (c. 13...
The aim of this study is to characterize pictorial pigments discovered in August 1984 by architects ...
This thesis presents an investigation of the paints used in domestic and funerary contexts in a phar...
Egyptian blue is a copper-based blue pigment that was widely used across the Mediterranean from ca. ...
Only a few scientific evidences for the use of Egyptian blue in Early Medieval wall paintings in Cen...
The presence of a wide number of fragments of blue, red, yellow and green pigments in the collection...
This study provides a new reason for the colour alteration of the first man-made pigments (Egyptian ...
The discussed comparative analyses of Roman Imperial pigment balls and fragmentary murals unearthed ...
New results on the local chemical environment of Cu2+ in archaeological Egyptian blue and green and ...
This paper explores the use of the synthesized pigment Egyptian blue in the encaustic and tempera fu...
The ancient pigment Egyptian blue has long been studied for its historical significance; however, re...
Results are presented from analyses that were conducted to explain the presence of chromium, detecte...
We present the multidisciplinary investigation of pigments and artefacts with traces of colour from ...
The Native inhabitants of South Central California produced rock art containing red, orange, black, ...
The focus of this study was analytical investigations of Egyptian paintings, mainly Coptic icons an...