This article seeks to explore representations of theatrical anger in William Shakespeare and Thomas Middleton’s Timon of Athens (1606?) and a play written by students from one of the Inns of Court, the Inner Temple, entitled Timon, written and performed at the Inn circa 1602. The article is concerned with two types of violence exhibited in both plays; rhetorical violence and ritualistic violence. Early modern rhetorical violence is self-consciously performative and manipulative compared to ritualistic violence which is unbridled and emasculating; a bodily performance that cannot be controlled via self-regulation. By exploring cultural perceptions of anger, this article attempts to account for the range of violence performed by the two Timon...
This project explores Renaissance revenge tragedy's conspicuous theatricality in light of the genre'...
There is a distinct difference in the representation of violence and its aftermath in Shakespeare’s ...
The first book-length attempt to set the generic parameters of early modern revenge tragedy was also...
This article seeks to explore representations of theatrical anger in William Shakespeare and Thomas ...
grantor: University of TorontoIn many Elizabethan and Jacobean revenge tragedies, and in p...
This project takes an interdisciplinary approach to early modern drama, analyzing how playwrights co...
Timon of Athens has been the subject of conflicting interpretations and evaluations. Those who have ...
This article focuses on the presentation of retaliatory violence in Athenian tragedy. It suggests th...
There is a distinct difference in the representation of violence and its aftermath in Shakespeareâ??...
This thesis discusses one of Shakespeare’s most obscure plays, The Life of Timon of Athens, a play w...
Belonging to the “Tragedies” section of the Folio, Timon of Athens spotlights an Athenian lord who r...
Early modern English revenge plays often reach a climax when vengeance is carried out in a masque. T...
Anger is an excessive passion in the early modern period, both in most treatises on the passions and...
This article argues that, in the early seventeenth century, rhetorical devices and stage devices ove...
This dissertation investigates the ways in which political action produces and reproduces violence i...
This project explores Renaissance revenge tragedy's conspicuous theatricality in light of the genre'...
There is a distinct difference in the representation of violence and its aftermath in Shakespeare’s ...
The first book-length attempt to set the generic parameters of early modern revenge tragedy was also...
This article seeks to explore representations of theatrical anger in William Shakespeare and Thomas ...
grantor: University of TorontoIn many Elizabethan and Jacobean revenge tragedies, and in p...
This project takes an interdisciplinary approach to early modern drama, analyzing how playwrights co...
Timon of Athens has been the subject of conflicting interpretations and evaluations. Those who have ...
This article focuses on the presentation of retaliatory violence in Athenian tragedy. It suggests th...
There is a distinct difference in the representation of violence and its aftermath in Shakespeareâ??...
This thesis discusses one of Shakespeare’s most obscure plays, The Life of Timon of Athens, a play w...
Belonging to the “Tragedies” section of the Folio, Timon of Athens spotlights an Athenian lord who r...
Early modern English revenge plays often reach a climax when vengeance is carried out in a masque. T...
Anger is an excessive passion in the early modern period, both in most treatises on the passions and...
This article argues that, in the early seventeenth century, rhetorical devices and stage devices ove...
This dissertation investigates the ways in which political action produces and reproduces violence i...
This project explores Renaissance revenge tragedy's conspicuous theatricality in light of the genre'...
There is a distinct difference in the representation of violence and its aftermath in Shakespeare’s ...
The first book-length attempt to set the generic parameters of early modern revenge tragedy was also...