The article provides a brief overview about performances of the operatic heritage of the great Russian composers M. Glinka and P. Tchaikovsky by the outstanding singer of the XX-th century M. Cebotari. The roles of Antonida in „Life for the Tsar”, Lisa in the „Queen of spades”, Tatiana in „Eugene Onegin” and Iolanta in the opera of the same name are considered and analyzed. Born in the Russian Empire, Russian as a native speaker and brought up in the culture of the Russian emigrants, M. Cebotari interpreted these roles on the stages of Western Europe with enviable perfection and organics, deeply penetrating the essence of the performed part and image
The article presents information organized in chronological order on the professional and personal c...
The purpose of the article is to analyze the choreography of Mykola Trehubov at the Odessa Academic ...
The thesis examines the impact of the early dissemination of Russian operas in the cultural life and...
The article contains information about the repertoire of M. Cebotari, a brilliant representative of ...
The article presents information arranged in chronological order on the professional and personal co...
This article aims to render in an analytical manner the personal experience of Tatiana Busuioc, who ...
After decades of absolute supremacy of Italians on Russian stages, the possibility of singing in Rus...
The remarkable vocal and artistic qualities of the famous soprano Maria Cebotari, originating from B...
The myth of Mikhail Glinka still divides the history of Russian musica, to the point that any infliu...
Mikhail Glinka (1804-1857) is widely recognized as a founding father of Russian classical music, but...
This article discusses a number of topical issues on the choice of conducting means of expression in...
In this article the most significant trends in the development of 18th century Russian Court music a...
Тhе article examines the performances of the Italian opera artists оп the stage of the Pushkin audie...
In my thesis I will focus on the role of Count Almaviva from Wolfgang Amadeus Mozart opera The Marri...
This article deals with the reception of Chopin’s music in Russia during the second half of the nine...
The article presents information organized in chronological order on the professional and personal c...
The purpose of the article is to analyze the choreography of Mykola Trehubov at the Odessa Academic ...
The thesis examines the impact of the early dissemination of Russian operas in the cultural life and...
The article contains information about the repertoire of M. Cebotari, a brilliant representative of ...
The article presents information arranged in chronological order on the professional and personal co...
This article aims to render in an analytical manner the personal experience of Tatiana Busuioc, who ...
After decades of absolute supremacy of Italians on Russian stages, the possibility of singing in Rus...
The remarkable vocal and artistic qualities of the famous soprano Maria Cebotari, originating from B...
The myth of Mikhail Glinka still divides the history of Russian musica, to the point that any infliu...
Mikhail Glinka (1804-1857) is widely recognized as a founding father of Russian classical music, but...
This article discusses a number of topical issues on the choice of conducting means of expression in...
In this article the most significant trends in the development of 18th century Russian Court music a...
Тhе article examines the performances of the Italian opera artists оп the stage of the Pushkin audie...
In my thesis I will focus on the role of Count Almaviva from Wolfgang Amadeus Mozart opera The Marri...
This article deals with the reception of Chopin’s music in Russia during the second half of the nine...
The article presents information organized in chronological order on the professional and personal c...
The purpose of the article is to analyze the choreography of Mykola Trehubov at the Odessa Academic ...
The thesis examines the impact of the early dissemination of Russian operas in the cultural life and...