The study presented in this article investigates the temporal unfolding and multimodal orchestration of meaning in a narration. Two aspects are focused on. First, the temporal and multimodal orchestration of conceptual spaces in the entire narrative is described. Five conceptual spaces were identified which were construed by multiple visual-kinesic modalities and speech. Moreover, the study showed that the conceptual spaces are often created simultaneously, which, however, does not lead to communication problems due to the media properties of the modalities involved (see also Schmitt 2005). The second part of the analysis zoomed in onto the phase of the narrative climax in which the multimodal production of the narrative space with role shi...
a B s t r a c t: What allows an audience to make sense of stories with complex nonlinear time struct...
Becker R, Cienki A, Stec K. Mental timelines and temporal order cues in multimodal communication. Pr...
This thesis concerns the discourse properties of cinematographic storytelling around three axes: tim...
The study presented in this article investigates the temporal unfolding and multimodal orchestration...
In this commentary I reflect upon the conceptualisation of human meaning-making, utilised in the two...
Models of narrative have been proposed from many perspectives and most of these nowadays promote fur...
Dieser Beitrag widmet sich der Analyse des Zusammenspiels sprachlich-hörbarer und sichtbar-kinesisch...
Understanding the temporal relations which hold between situations described in a narrative is a hig...
In conceptual metaphor theory it has been noticed that our reasoning about time is often couched in ...
The last two decades have seen emerging research on the structure and cognition of visual narratives...
I. Emotional dimensions of temporality II. Structuralist approaches to narrative: emphasis on protr...
In conceptual metaphor theory it has been noticed that our reasoning about time is often couched in ...
The article deals with the role of discursive temporality, namely, the necessary time that is neede...
Early language research has revealed important insights into the building blocks of language, such a...
The paper presents the results of an empirical study of monomodal and multimodal data collected from...
a B s t r a c t: What allows an audience to make sense of stories with complex nonlinear time struct...
Becker R, Cienki A, Stec K. Mental timelines and temporal order cues in multimodal communication. Pr...
This thesis concerns the discourse properties of cinematographic storytelling around three axes: tim...
The study presented in this article investigates the temporal unfolding and multimodal orchestration...
In this commentary I reflect upon the conceptualisation of human meaning-making, utilised in the two...
Models of narrative have been proposed from many perspectives and most of these nowadays promote fur...
Dieser Beitrag widmet sich der Analyse des Zusammenspiels sprachlich-hörbarer und sichtbar-kinesisch...
Understanding the temporal relations which hold between situations described in a narrative is a hig...
In conceptual metaphor theory it has been noticed that our reasoning about time is often couched in ...
The last two decades have seen emerging research on the structure and cognition of visual narratives...
I. Emotional dimensions of temporality II. Structuralist approaches to narrative: emphasis on protr...
In conceptual metaphor theory it has been noticed that our reasoning about time is often couched in ...
The article deals with the role of discursive temporality, namely, the necessary time that is neede...
Early language research has revealed important insights into the building blocks of language, such a...
The paper presents the results of an empirical study of monomodal and multimodal data collected from...
a B s t r a c t: What allows an audience to make sense of stories with complex nonlinear time struct...
Becker R, Cienki A, Stec K. Mental timelines and temporal order cues in multimodal communication. Pr...
This thesis concerns the discourse properties of cinematographic storytelling around three axes: tim...